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</p> <p><strong>Maria Mavati is an Iranian Kurdish producer, screenwriter, and documentary filmmaker born in 1987 in Oshn</strong><strong>avi</strong><strong>yeh. He holds a bachelor's degree in directing and a master's degree in dramatic literature in Tehran. The short film "If" is her first activity filmed in the border area of her hometown, which is a village without a bridge, and many children drown in the river.</strong></p> <p><strong>Her second film, Majeraye Nimrooz, deals with a patriarchal tradition called Khon Bas, which makes women victims of men's mistakes. In 2014, when ISIS attacked the Iraqi Yazidi Kurds, she went to the Sinjar war zone and made her first documentary called "Bazgasht". “Return" is about a mother whose daughters have been enslaved and one of her daughters has escaped from ISIL slavery. She then made another documentary about the war refugees called "Madar", which has won awards at various international festivals. &nbsp;She then focused more on the issue of displacement and asylum and made a documentary about an Iranian refugee in Turkey called "Zaman," the story of a father trying to visit his children in Canada. The documentary has been critically acclaimed and won the Director Award for International Iranian Documentary Film Festival. She then dealt with the fate of two teenage girls in her hometown who went to Iraq and then Syria with the ISIS invasion and joined the Kobani women's resistance front, and their families were unaware of them for years. She is looking for the addresses of these missing girls. This documentary is being produced in Iran, Iraq and Syria and currently is in the final stages.she was born in villages near the lagoon and made this film in her living area.</strong></p> <p><strong>&nbsp;</strong></p> <p>

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Director's note

</p> <p>The struggle for survival between boars and humans in the wetland of “Wild Boars Lagoon&nbsp; ”</p> <p>(an area of 907 hectares) dates back to hundreds of years ago. Yet, it is not exactly clear whether the humans started building houses around the wetland or the boars came near the human habitations.</p> <p>There had been some kind of barriers to protect the land before the revolution in 1979. After that, the government cut out the barriers and suggested the farmers build some fence around their land instead. However, the farmers did not have enough money to pay for the fence. As a result, they tried to kill and bury the boars both legally and illegally.</p> <p>In the last few years, the increase in the number of boars has caused more and more damage to the farmers. Consequently, the farmers have run a business of buying and selling the boar meat without caring about the moral and religious obligations. In fact, they have created a new source of income for themselves.</p> <p>

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DIRECTOR

</p> <p>Mohamad Qanbari</p> <p>Date of birth 10/28/1975</p> <p>Mohamad Qanbari is a director, writer, researcher&nbsp; and&nbsp; teacher,</p> <p>currently lives in Tehran,</p> <p>Mohamad has several film senarious ,</p> <p>some of which already has been started&nbsp; and actually in progress</p> <p>While he is also researcher in philosophical fields and</p> <p>likes Human Resourse tasks , beside to do.</p> <p>

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</p> <p>The human attempt to find or make the meaning of life. Exactly, these centuries that are called modern and post-modern eras.</p> <p>For many people, the previous meanings of life are demeaned. They are living in a world where suffering by lack of meaning.</p> <p>He is attempting to search some valuable things in history and current stories.</p> <p>But The farther he goes, the less he finds</p> <p>If we assume that the mankind is the same by his thoughts and in the other side, existence is a feeling into the mind. So conclude if we want to know about human, his life, meaning of life or existence we have to think about thinking.</p> <p>The question is how do the human think?</p> <p>So we studied</p> <p>Ahmad Vakili and we are guided to the Deeper layers of meaning. Those depend on the culture, history, geographic areas and …</p> <p>For understanding these concepts, we need some fundamental philosophical concepts such as archetypes.</p> <p>So, an Iranian person wants to research on himself, he has to study three fundamental topics. Poetry and Literature, Image and Elegy</p> <p>“The Image” define how do the people observation and how to represent.</p> <p>

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</p> <p><img src="https://7thartfilms.ir/images/Ardavan_Zyini.jpg" alt="Ardavan Zyini" width="221" height="221" /></p> <p>Master of Art in Cultural Management</p> <p>From 1993 he was so active in directing, playing as an actor and writing of screen play</p> <p>Playing a role in short films named Rooster, Rubber,…</p> <p>Directing and producing of documentaries in field of tourism called Boyer-Ahmad, Tribes of Boyer-Ahmad, French Camera, Pandoum</p> <p>Producing of Short films called the Last Night, Mafia, Shamir</p> <p>Producing of Qasr-e Shirin Feature directed by Reza Mirkarimi</p> <p>&nbsp;</p> <p>

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</p> <p><img src="https://7thartfilms.ir/images/Zamanpoor.jpg" alt="Zamanpoor" width="218" height="230" /></p> <p>Mahdi Zamanpour Kiasari was in 1975 . Holds MA in TV production from University of IRIB (Film Directing). He started his career as Director, Writer &amp; Producer since 2004 and has made more than 65 documentaries and TV programs. Among his works are:<br />-Waiting for You (2006), 15 min ,Tramping to Heaven (2007), 45 min<br />-Small Steps in Allah’s Highway (2008), 15 min ,Green Shadows I (2009), 30x15min<br />-Ashoura Ceremonies in Kiasar (2010), 18 min ,Holly Naghib Alavy (2011), 60min<br />-Green Shadows II (2011), 20 x15min,Moral Interval (2011), <br />-13x2min ,30 years living with 100 verses (2014),8min, Happy Birthday (2013), 35 min<br />-Mashti Esmaeil (2014) 60mins<br />-BUTTERFLY(Papeli) 2016, 63mins<br />-ASAK, 2019,30MINS<br />- Water,Wind,Dust,Bread 2021/ 25mins<br />-Death behind the green walls/2021/65mins</p> <p>&nbsp;</p> <p>

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Director's note

</p> <p>&nbsp;</p> <p>Despite the threat of death from the local mafia and unknown individuals, this film has been made during two years with the support of my wife &amp; my wonderful team and with the personal budget, hoping to save people and nature from destruction.</p> <p>

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</p> <p>&nbsp;</p> <p><img src="https://7thartfilms.ir/images/Death_Behind.jpg" alt="Death Behind" width="617" height="347" /></p> <p>

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</p> <p><img src="https://7thartfilms.ir/images/Mohsen_Eslamzadeh.jpg" alt="Mohsen Eslamzadeh" width="211" height="158" /></p> <p><strong>Bio/Filmography:</strong></p> <p>Mohsen Eslamzadeh the Iranian documentary filmmaker was born in 1980. He has lot of activities around art issues during more than 12 years. He made many documentaries in Afghanistan, Pakistan, Libya, Syria, Iraq, Lebanon, Venezuela and Iran , as well. His distinguished documentaries are:</p> <p>"The Sunnis of Iran"</p> <p>&nbsp;"Mothers of the Revolution",</p> <p>"Mysteries of Abu-Salim Prison"</p> <p>"In the name of Liberty"</p> <p>"Alone Among the Taliban"</p> <p>"Life Among War Flags"</p> <p>

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</p> <p>Director’s Statement:</p> <p>&nbsp;</p>

DIRECTOR

</p> <p><img src="https://7thartfilms.ir/images/UP/2018/2018/Wedding/cd4.jpg" alt="cd4" width="400" height="327" /></p> <p>&nbsp;</p> <p>Maziar Moshtagh Gohari born in 1978 in Jiroft, Iran.<br /> Art-graduated from University of Sistan and Baluchistan, is a young documentary filmmaker, TV journalist, producer and director.<br />He joined the Iranian Youth Cinema Society, Zahedan’s center ,in 1995 and participated in Abbas Kiarostami, Mehrdad Oskouei, Kamran Shirdel and other outstanding filmmakers’ workshops.. <br />He started his career in 1998 as TV journalist in the province local TV channel and after 10 years of working such, he took documentary filmmaking more serious as ever. His starting films were mostly around environment issues of S&amp;B province which won him national and international awards. The trace of environmental, educational and cultural issues is clear to recognize in his films. He’s a permanent member of Iranian Documentary Directors and also a proxy member of Iranian Documentary Producers. Alongside documentary filmmaking he has travelled to every corner of Sistan and Baluchistan for 15 years and has captured every eye-catching moment of his travels in form of documentary photography.<br />Maziar Gohari has worked as producer, researcher and journalist with several channels as Channel 1, Channel 4 and documentary channel of Iranian TV. He also made two documentaries “ Old Melody from Baluchistan” and “ History of Iran’s Cinema” (as producer) for Al-Jazeera documentary channel.</p> <p>From his controversial TV programs, live programs of “In the City” and “The Right Word” can be named which were mostly around questioning authorities big and little problems of Sistan and Baluchistan. <br />The most important films of Moshtagh Gohari are Gando, Fly in Water, Cechanok, The Persian Crocodile, Bodvar, Mirza, The Captain Daryayee, and.<br />Maziar Gohari has been awarded 1st prize of Cinema Verite festival for two consecutive years in environment part, 1st place of 6th Fajr festival in research section, 1st place of Diagonale Documentary festival in Austria and the merit diploma of Russia Environment Film Festival.</p> <p><strong>Bio/Filmography:</strong></p> <p>Born in 1978.</p> <p>Mia’an Ka’aleh, Heaven of Birds<br /> <br />• Taftaan’s tourist attractions -<br /> <br />• Station No.2 -<br />• Sistaan. The cradle of civilization -2004<br />• Deprived villages-2009<br />• Mach 2009<br />• Wrist-2010<br />• Gaando -2010<br />• Fly in Water-2010<br />• Corals-2010<br />• Alphabet-2011<br />• Handmade of sistaan-2011<br />• Bodvar-2011<br />• Mirza-2012<br />• Adventurers-2013<br />• Religion of Unison; Panegyrists of Nimrooz-2013<br />• Cechanok-2014<br />• Old melody from Baluchistan - 2017</p> <p>&nbsp;</p> <p>

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