Warning: preg_replace(): Unknown modifier '.' in /home2/thartfil/public_html/plugins/system/nnframework/helpers/protect.php on line 502

Warning: preg_replace(): Unknown modifier '.' in /home2/thartfil/public_html/plugins/system/nnframework/helpers/protect.php on line 502

Warning: preg_replace(): Unknown modifier '.' in /home2/thartfil/public_html/plugins/system/nnframework/helpers/protect.php on line 502

Warning: preg_replace(): Unknown modifier '.' in /home2/thartfil/public_html/plugins/system/nnframework/helpers/protect.php on line 502
Iran Features - A source of Iranian films | A shortcut to the Iranian films & culture <subtitle type="text">7th Art Films Co; A source of Iranian films; A shortcut to the Iranian films & culture; Alireza Shahrokhi; Iranian futures; iranian documentries films; iranian children films; iranian short films; iranian animarion; iranian film festivals; iranian film products; iranian films sales; iranian series sales; buy iranian films; buy iranian series</subtitle> <link rel="alternate" type="text/html" href="https://7thartfilms.ir"/> <id>https://7thartfilms.ir/feature</id> <updated>2026-01-29T04:55:45+03:30</updated> <author> <name>7thartfilms</name> <email>info@7thartfilm.com</email> </author> <generator uri="https://www.joomla.org"></generator> <link rel="self" type="application/atom+xml" href="https://7thartfilms.ir/feature?format=feed&type=atom"/> <entry> <title>AT THE END OF THE DAY 2025-06-13T07:07:46+03:30 2025-06-13T07:07:46+03:30 https://7thartfilms.ir/feature/138-at-the-end-of-the-day 7th Art Films info@7thartfilms.ir <p>&nbsp;</p> <p>&nbsp;</p> <p><strong>AT THE END OF THE DAY</strong></p> <p><strong>Babak Bahrambeygi</strong></p> <p><img src="https://7thartfilms.ir/images/ASAK/pooster_Final001.jpg" alt="pooster Final001" width="281" height="394" /></p> <p>Directed by: Babak Bahrambeygi</p> <p>&nbsp;writers:&nbsp; Babak Bahrambeygi, khosro Monsefshokri</p> <p>D.o.p:&nbsp; Reza Teimouri</p> <p>Edit: Babak Bahrambeygi</p> <p>Composer: Maseod Sekhavatdost</p> <p>Sound: Ensieh Maleki</p> <p>Producers: Babak Bahrambeygi, Mehdi Kohian</p> <p><strong>Technical items:</strong></p> <p>Duration: 99 min</p> <p>Language: Persian</p> <p>English subtitle</p> <p>Fiction, Drama, Color, 2K, Surround, 2024 / 2<sup>nd</sup> film</p> <p>Casts:</p> <p>Hanieh Tavasoli, Mahtab Servati, Shayesteh Sajadi, Shabnam Moghadami, Reza behbodi, Khayam Vagar,Hesam Rezaian, …</p> <p>&nbsp;

Synopsis

</p> <p><strong>Logline</strong></p> <p>One day in the life of three young women with different generations. Each of them is in a phase of an emotional relationship and they want to overcome the crisis in their relationship, but the patriarchal habits in the traditional society and the power of government are an obstacle.</p> <p><strong>Synopsis:</strong></p> <p>The narrative structure of this screenplay includes three episodes that are narrated in parallel and simultaneously in one day, but in this synapse, for simplicity, the stories of these three episodes are written separately.</p> <p><strong>Episode one: </strong>Ehsan, twenty years old and a student, buy a cheap car from a dealership. He is dating Mitra, his fellow university student.</p> <p>Mitra plans to return home after a short talk with Ehsan, but Ehsan, who has planned for this date and hopes to establish a relationship with her, insists that this meeting should continue until night.</p> <p>In a cafe, Mitra explains that her life plan does not allow her to have any kind of relationship and she has no intention of getting married. On the way back, Ehsan exaggerates to impress Mitra about the help he has done for her in the past, and Mitra, who is thinking of filming a secret video of herself without a hijab and can get him help to do this, agrees.</p> <p>In a small park, Ehsan films Mitra without hijab at sunset.</p> <p>After that, they are talking when Ehsan asks Mitra again about her life plan. Finally, Mitra states that his goal is to continue studying at a prestigious university outside of Iran.</p> <p>At night Ehsan is driving Mitra home, suddenly Mitra's father arrives and stops the car and angrily talks to Mitra and informs him that the video in question has been distributed on social media and this will cause bad consequences for Mitra and his family.</p> <p>later, the father insists on taking his identity documents from Ehsan. Mitra tries to intervene when her father violently puts her in the car and drives her home. Ehsan also follows them.</p> <p>Ehsan hears their argument from outside the house, recognizes the opportunity, and decides to negotiate with her father to get Mitra. He gets out of the car and rings the doorbell of their house.</p> <p>Mitra's father comes out to talk to her and Mitra witnesses their conversation from the window. At first, the father angrily talks to Ehsan, but Ehsan calmly tells him about his intention to propose and marry Mitra, and in this way, he gains the father's trust.</p> <p>Mitra's father, who calmed down a bit after this encounter, asks him questions about his field and his family, and other matters and Ehsan answers everything carefully and assures him that due to the relations of his family with the Government, he will try his best. will pursue this matter legally and find the person responsible for publishing the video. After a short period of time, the father returns Ehsan's identity documents to him.</p> <p><strong>Episode two</strong>: Ahmed is thirty years old and works in a reputable government company in which his mother is a shareholder. He sells his cheap car to Ehsan and buys a car at an average price. Tonight, her marriage ceremony with Shiva is going to be held.</p> <p>Shiva is preparing for the ceremony at the hair salon when Ahmed calls her and informs her that unfortunately, his mother (Ahmad's mother) has learned about Shiva's previous marriage.</p> <p>Ahmed rushes after Shiva and picks her up and as a solution to this problem, he suggests discussing the issue with his uncle and asking him for help because he is the elder of the family and his mother trust him.</p> <p>Shiva, however, thinks that instead of doing this, they should go to their mother and tell her the truth so that they don't have to keep telling more lies. Ahmed tells him that tonight is their wedding night and his mother will definitely not accept.</p> <p>Shiva continues to argue that when they are interested in me, it is they who are the main decision-makers, not Ahmed's mother, but Ahmed believes that now that he has hidden Shiva's previous marriage, they should continue until the end, and Shiva is the main culprit because of his previous marriage, but Shiva does not blame himself in this incident and does not expect such a reaction from Ahmed, and reminds that Ahmed knew about this from the beginning and finally He asked if Ahmed himself would have preferred that he had never had a relationship before and had never married anyone.</p> <p>Ahmed's answer reveals a new reality of his way of thinking. For him, having a previous relationship with Shiva and his marriage is considered a weakness.</p> <p>Ahmed leaves Shiva alone in the car to talk to his uncle. According to the conversations that have been exchanged between them, Shiva gets out of the car and walks aimlessly in the streets of the city for a while, but finally comes back with a broken heart.</p> <p>After Ahmad talks to his uncle, he talks to Shiva privately in his office. He wants to clarify some obscure points from Shiva's previous marriage. Shiva briefly explains that after her previous marriage, she found out that her husband was impotence, by giving away his legal rights. uncle tries to make sure about the details of the story and her virginity before having a relationship with Ahmed by asking more questions like an interrogator. This makes Shiva very upset. And she goes out of his uncle's office and passes by Ahmed without paying attention, and continues on her way and ends this relationship.</p> <p><strong>Episode three: </strong>Middle-aged Ibrahim is an accountant of a company. From the same dealership, he sells his average price car to Ahmed and buys an expensive car. At the same time, Neda goes to a midwife's office to get black market drugs suitable for abortion.</p> <p>While driving, Ibrahim realizes that with his new car, he can attract the attention of women on the streets of the city, take them for a ride and establish a friendship. After receiving the medicine, Neda goes to the cafe. She is still hesitant to have an abortion. Her friend Afsanah reassures her about this and tells him memories of his own experiences with abortion. He tries to prove that it is the woman who is the main owner and the final decision-maker regarding giving birth to a child.</p> <p>After finding a seemingly suitable case and fulfilling the initial conditions of a relationship, Ibrahim goes to a famous boulevard in the city. There, expensive cars play music like a show and go back and forth on the boulevard, and the male and female drivers are trying to get in touch with each other, which is the so-called "round-round". Ibrahim tries to behave like them.</p> <p>At the same time, Neda comes out of the cafe and walks in the streets of the city. After repeatedly going around the boulevard, Ibrahim enters the street where Neda is crossing and stops to give her a ride. Neda rides. At the same moment, the police car arrives and impounds Ibrahim's car for causing trouble and driving strange women. Ibrahim explains that the woman he is riding is his wife. The police officer smiles and explains to him that they have been watching him during this time and they know about his activities in the last few hours, they both take him to the police station to clarify the matter.</p> <p>Ibrahim and Neda leave the police station after a few hours. They get into the car and travel in silence to reach home. Ibrahim enters the house and Neda follows him. We slowly realize from their behavior at home that they are really husband and wife.</p> <p>In the end, as if this incident made him determined to do his job, Neda takes the desired pills and lies down on the bed, and stares at the ceiling.</p> <p>

DIRECTOR

</p> <p><img src="https://7thartfilms.ir/images/ASAK/Mr._Bahrambeygi.jpg" alt="Mr. Bahrambeygi" width="228" height="342" /></p> <p>Babak Bahrambeygi, editor &amp; director, born in 1978 in Kermanshah, Iran. He made his first film A LONG DAY on 2017. At the End of the day is his 2ndfilm.</p> <p>&nbsp;

FESTIVALS

</p> <p>&nbsp;</p> <p>&nbsp;

Director's note

</p> <p>The relationship between women and men has always been one of the most complicated and critical issues for humans throughout history, especially in the present time in Iran when women have become aware of their rights and want to have a share equal to men in their emotional relationships and to play a role in decision making. This demand, however, cannot be fulfilled easily in the societies like Iran that despite their modern looks and the entrance of the western lifestyle, still follow traditional customs and beliefs deep inside.</p> <p>&nbsp;AT THE END OF THE DAY is about this conflict: on the one hand, the men in the story, father, suitor, groom, and husband, each try to own and control women, and the women try to stand up to them and gain their independence.</p> <p>This movie depicts one day in the life of three women. Although they pass by one another a few times in the film, the age difference between the characters and their stories give the impression that the three episodes are different phases in the life of one woman before the marriage, during the wedding, and after the marriage.</p> <p>In the first episode, the father displays a traditional father who must protect his daughter against harm and hand her over “intact” to the husband. Although the girl has higher goals such as studying and seeking a modern life, it seems that at the end of the story, she can’t resist the pushy suitor and the family pressure. The probable results of her submission are shown in the second episode where the female protagonist must get ready for marriage and it must be proven to the groom’s family that she is “intact”. The plot takes a comic form here. The groom is struggling between the two worlds of tradition and modernity. On the one hand, he has had sexual contact with the bride before their wedding, and on the other hand, he must prove to his family the bride is a virgin. The groom who depends on his family for his job cannot disobey his family’s demand to prove the bride’s virginity and tries to find a way to solve the problem. The woman, who is watching herself being humiliated, gives in to the man’s request in the end. The probable result of her submission is shown in the third episode when a few years have passed after the man and woman’s wedding. The man is looking for some relationships outside his marriage and the woman must decide to keep or abort her baby. In this episode, we witness the results and consequences of the traditional order in the new order. The old order has fallen apart and is not able to keep control anymore. Babies used to be considered a man’s property in the past, but it is now a woman who decides to deliver them or not. Man has lost his control over the woman and although the man and woman are still living together for some traditional considerations, the requirements of living together such as loyalty have been lost completely, and their relationship has taken a tragic form.</p> <p>

STILLS

</p> <p><img src="https://7thartfilms.ir/images/ASAK/Photo00090005.jpg" alt="Photo00090005" width="556" height="293" /></p> <p><img src="https://7thartfilms.ir/images/ASAK/Photo00090018.jpg" alt="Photo00090018" width="555" height="292" /></p> <p></p> <p>

TRAILER

</p> <p class="yiv5374574745MsoNormal"><b><a href="https://drive.google.com/file/d/1dfAJ46vE5548a5o_4Rw59nlbl-Iyg0YO/view?usp=sharing">https://drive.google.com/file/d/1dfAJ46vE5548a5o_4Rw59nlbl-Iyg0YO/view?usp=sharing</a>&nbsp;</b><br /><a href="https://vimeo.com/355810434" target="_blank" rel="noopener noreferrer"></a></p> <p>
</p>
<p>&nbsp;</p> <p>&nbsp;</p> <p><strong>AT THE END OF THE DAY</strong></p> <p><strong>Babak Bahrambeygi</strong></p> <p><img src="https://7thartfilms.ir/images/ASAK/pooster_Final001.jpg" alt="pooster Final001" width="281" height="394" /></p> <p>Directed by: Babak Bahrambeygi</p> <p>&nbsp;writers:&nbsp; Babak Bahrambeygi, khosro Monsefshokri</p> <p>D.o.p:&nbsp; Reza Teimouri</p> <p>Edit: Babak Bahrambeygi</p> <p>Composer: Maseod Sekhavatdost</p> <p>Sound: Ensieh Maleki</p> <p>Producers: Babak Bahrambeygi, Mehdi Kohian</p> <p><strong>Technical items:</strong></p> <p>Duration: 99 min</p> <p>Language: Persian</p> <p>English subtitle</p> <p>Fiction, Drama, Color, 2K, Surround, 2024 / 2<sup>nd</sup> film</p> <p>Casts:</p> <p>Hanieh Tavasoli, Mahtab Servati, Shayesteh Sajadi, Shabnam Moghadami, Reza behbodi, Khayam Vagar,Hesam Rezaian, …</p> <p>&nbsp;

Synopsis

</p> <p><strong>Logline</strong></p> <p>One day in the life of three young women with different generations. Each of them is in a phase of an emotional relationship and they want to overcome the crisis in their relationship, but the patriarchal habits in the traditional society and the power of government are an obstacle.</p> <p><strong>Synopsis:</strong></p> <p>The narrative structure of this screenplay includes three episodes that are narrated in parallel and simultaneously in one day, but in this synapse, for simplicity, the stories of these three episodes are written separately.</p> <p><strong>Episode one: </strong>Ehsan, twenty years old and a student, buy a cheap car from a dealership. He is dating Mitra, his fellow university student.</p> <p>Mitra plans to return home after a short talk with Ehsan, but Ehsan, who has planned for this date and hopes to establish a relationship with her, insists that this meeting should continue until night.</p> <p>In a cafe, Mitra explains that her life plan does not allow her to have any kind of relationship and she has no intention of getting married. On the way back, Ehsan exaggerates to impress Mitra about the help he has done for her in the past, and Mitra, who is thinking of filming a secret video of herself without a hijab and can get him help to do this, agrees.</p> <p>In a small park, Ehsan films Mitra without hijab at sunset.</p> <p>After that, they are talking when Ehsan asks Mitra again about her life plan. Finally, Mitra states that his goal is to continue studying at a prestigious university outside of Iran.</p> <p>At night Ehsan is driving Mitra home, suddenly Mitra's father arrives and stops the car and angrily talks to Mitra and informs him that the video in question has been distributed on social media and this will cause bad consequences for Mitra and his family.</p> <p>later, the father insists on taking his identity documents from Ehsan. Mitra tries to intervene when her father violently puts her in the car and drives her home. Ehsan also follows them.</p> <p>Ehsan hears their argument from outside the house, recognizes the opportunity, and decides to negotiate with her father to get Mitra. He gets out of the car and rings the doorbell of their house.</p> <p>Mitra's father comes out to talk to her and Mitra witnesses their conversation from the window. At first, the father angrily talks to Ehsan, but Ehsan calmly tells him about his intention to propose and marry Mitra, and in this way, he gains the father's trust.</p> <p>Mitra's father, who calmed down a bit after this encounter, asks him questions about his field and his family, and other matters and Ehsan answers everything carefully and assures him that due to the relations of his family with the Government, he will try his best. will pursue this matter legally and find the person responsible for publishing the video. After a short period of time, the father returns Ehsan's identity documents to him.</p> <p><strong>Episode two</strong>: Ahmed is thirty years old and works in a reputable government company in which his mother is a shareholder. He sells his cheap car to Ehsan and buys a car at an average price. Tonight, her marriage ceremony with Shiva is going to be held.</p> <p>Shiva is preparing for the ceremony at the hair salon when Ahmed calls her and informs her that unfortunately, his mother (Ahmad's mother) has learned about Shiva's previous marriage.</p> <p>Ahmed rushes after Shiva and picks her up and as a solution to this problem, he suggests discussing the issue with his uncle and asking him for help because he is the elder of the family and his mother trust him.</p> <p>Shiva, however, thinks that instead of doing this, they should go to their mother and tell her the truth so that they don't have to keep telling more lies. Ahmed tells him that tonight is their wedding night and his mother will definitely not accept.</p> <p>Shiva continues to argue that when they are interested in me, it is they who are the main decision-makers, not Ahmed's mother, but Ahmed believes that now that he has hidden Shiva's previous marriage, they should continue until the end, and Shiva is the main culprit because of his previous marriage, but Shiva does not blame himself in this incident and does not expect such a reaction from Ahmed, and reminds that Ahmed knew about this from the beginning and finally He asked if Ahmed himself would have preferred that he had never had a relationship before and had never married anyone.</p> <p>Ahmed's answer reveals a new reality of his way of thinking. For him, having a previous relationship with Shiva and his marriage is considered a weakness.</p> <p>Ahmed leaves Shiva alone in the car to talk to his uncle. According to the conversations that have been exchanged between them, Shiva gets out of the car and walks aimlessly in the streets of the city for a while, but finally comes back with a broken heart.</p> <p>After Ahmad talks to his uncle, he talks to Shiva privately in his office. He wants to clarify some obscure points from Shiva's previous marriage. Shiva briefly explains that after her previous marriage, she found out that her husband was impotence, by giving away his legal rights. uncle tries to make sure about the details of the story and her virginity before having a relationship with Ahmed by asking more questions like an interrogator. This makes Shiva very upset. And she goes out of his uncle's office and passes by Ahmed without paying attention, and continues on her way and ends this relationship.</p> <p><strong>Episode three: </strong>Middle-aged Ibrahim is an accountant of a company. From the same dealership, he sells his average price car to Ahmed and buys an expensive car. At the same time, Neda goes to a midwife's office to get black market drugs suitable for abortion.</p> <p>While driving, Ibrahim realizes that with his new car, he can attract the attention of women on the streets of the city, take them for a ride and establish a friendship. After receiving the medicine, Neda goes to the cafe. She is still hesitant to have an abortion. Her friend Afsanah reassures her about this and tells him memories of his own experiences with abortion. He tries to prove that it is the woman who is the main owner and the final decision-maker regarding giving birth to a child.</p> <p>After finding a seemingly suitable case and fulfilling the initial conditions of a relationship, Ibrahim goes to a famous boulevard in the city. There, expensive cars play music like a show and go back and forth on the boulevard, and the male and female drivers are trying to get in touch with each other, which is the so-called "round-round". Ibrahim tries to behave like them.</p> <p>At the same time, Neda comes out of the cafe and walks in the streets of the city. After repeatedly going around the boulevard, Ibrahim enters the street where Neda is crossing and stops to give her a ride. Neda rides. At the same moment, the police car arrives and impounds Ibrahim's car for causing trouble and driving strange women. Ibrahim explains that the woman he is riding is his wife. The police officer smiles and explains to him that they have been watching him during this time and they know about his activities in the last few hours, they both take him to the police station to clarify the matter.</p> <p>Ibrahim and Neda leave the police station after a few hours. They get into the car and travel in silence to reach home. Ibrahim enters the house and Neda follows him. We slowly realize from their behavior at home that they are really husband and wife.</p> <p>In the end, as if this incident made him determined to do his job, Neda takes the desired pills and lies down on the bed, and stares at the ceiling.</p> <p>

DIRECTOR

</p> <p><img src="https://7thartfilms.ir/images/ASAK/Mr._Bahrambeygi.jpg" alt="Mr. Bahrambeygi" width="228" height="342" /></p> <p>Babak Bahrambeygi, editor &amp; director, born in 1978 in Kermanshah, Iran. He made his first film A LONG DAY on 2017. At the End of the day is his 2ndfilm.</p> <p>&nbsp;

FESTIVALS

</p> <p>&nbsp;</p> <p>&nbsp;

Director's note

</p> <p>The relationship between women and men has always been one of the most complicated and critical issues for humans throughout history, especially in the present time in Iran when women have become aware of their rights and want to have a share equal to men in their emotional relationships and to play a role in decision making. This demand, however, cannot be fulfilled easily in the societies like Iran that despite their modern looks and the entrance of the western lifestyle, still follow traditional customs and beliefs deep inside.</p> <p>&nbsp;AT THE END OF THE DAY is about this conflict: on the one hand, the men in the story, father, suitor, groom, and husband, each try to own and control women, and the women try to stand up to them and gain their independence.</p> <p>This movie depicts one day in the life of three women. Although they pass by one another a few times in the film, the age difference between the characters and their stories give the impression that the three episodes are different phases in the life of one woman before the marriage, during the wedding, and after the marriage.</p> <p>In the first episode, the father displays a traditional father who must protect his daughter against harm and hand her over “intact” to the husband. Although the girl has higher goals such as studying and seeking a modern life, it seems that at the end of the story, she can’t resist the pushy suitor and the family pressure. The probable results of her submission are shown in the second episode where the female protagonist must get ready for marriage and it must be proven to the groom’s family that she is “intact”. The plot takes a comic form here. The groom is struggling between the two worlds of tradition and modernity. On the one hand, he has had sexual contact with the bride before their wedding, and on the other hand, he must prove to his family the bride is a virgin. The groom who depends on his family for his job cannot disobey his family’s demand to prove the bride’s virginity and tries to find a way to solve the problem. The woman, who is watching herself being humiliated, gives in to the man’s request in the end. The probable result of her submission is shown in the third episode when a few years have passed after the man and woman’s wedding. The man is looking for some relationships outside his marriage and the woman must decide to keep or abort her baby. In this episode, we witness the results and consequences of the traditional order in the new order. The old order has fallen apart and is not able to keep control anymore. Babies used to be considered a man’s property in the past, but it is now a woman who decides to deliver them or not. Man has lost his control over the woman and although the man and woman are still living together for some traditional considerations, the requirements of living together such as loyalty have been lost completely, and their relationship has taken a tragic form.</p> <p>

STILLS

</p> <p><img src="https://7thartfilms.ir/images/ASAK/Photo00090005.jpg" alt="Photo00090005" width="556" height="293" /></p> <p><img src="https://7thartfilms.ir/images/ASAK/Photo00090018.jpg" alt="Photo00090018" width="555" height="292" /></p> <p></p> <p>

TRAILER

</p> <p class="yiv5374574745MsoNormal"><b><a href="https://drive.google.com/file/d/1dfAJ46vE5548a5o_4Rw59nlbl-Iyg0YO/view?usp=sharing">https://drive.google.com/file/d/1dfAJ46vE5548a5o_4Rw59nlbl-Iyg0YO/view?usp=sharing</a>&nbsp;</b><br /><a href="https://vimeo.com/355810434" target="_blank" rel="noopener noreferrer"></a></p> <p>
</p>
K-POPER 2025-06-13T06:51:48+03:30 2025-06-13T06:51:48+03:30 https://7thartfilms.ir/feature/137-k-poper 7th Art Films info@7thartfilms.ir <p>&nbsp;</p> <p><br /><span style="font-family: arial, helvetica, sans-serif;"> Director: Ebrahim&nbsp;Amini&nbsp;</span></p> <p><span style="font-family: arial, helvetica, sans-serif;">Writer: Ali Mohammad Hesamfar/Ebrahim&nbsp;Amini&nbsp;</span></p> <p><span style="font-family: arial, helvetica, sans-serif;">Director of Photography: Alireza Barazandeh</span></p> <p><span style="font-family: arial, helvetica, sans-serif;">&nbsp;Editor: Hosein Jamshidi gohari</span></p> <p><span style="font-family: arial, helvetica, sans-serif;">Composer: Masoud sekhavatdoost</span></p> <p><span style="font-family: arial, helvetica, sans-serif;">Sound recorder: Masih Hadpoor Seraj</span></p> <p><span style="font-family: arial, helvetica, sans-serif;">&nbsp;Sound Mixer: Zohreh Aliakbari</span></p> <p><span style="font-family: arial, helvetica, sans-serif;">Set &amp; Costume designer: Reza Razm</span></p> <p><span style="font-family: arial, helvetica, sans-serif;">Makeup designer: Mehdi Sayyad</span></p> <p><span style="font-family: arial, helvetica, sans-serif;">Casts: Sareh Bayat, Setayesh Dehghan, Ali Bagheri, Mehdi Hashemi</span></p> <p><span style="font-family: arial, helvetica, sans-serif;">&nbsp;Production Manager: Esmaeil Kolbi Abadi</span></p> <p><span style="font-family: arial, helvetica, sans-serif;">&nbsp;Producer: Sajjad Nasrollahi Nasab</span></p> <p><span style="font-family: arial, helvetica, sans-serif;">– Color - min 85– 2025 - Iran</span></p> <p>&nbsp;

Synopsis

</p> <p>&nbsp;An Iranian teenage girl, has fallen in love with one of the K-pop singers and wants to go to Seoul to meet him and participate in a competition. She is admitted to the exam, but her mother is against her.</p> <p>

DIRECTOR

</p> <p><img src="https://7thartfilms.ir/images/Ebrahim_Amini.jpeg" alt="Ebrahim Amini" width="234" height="289" /></p> <p>Ebrahim Amini is an Iranian actor, screenwriter, and director. He was born in 1982 and holds a master's degree in directing. He began his professional career on television.&nbsp;He started his career as the Writer. Writing movies script like as “Trace of blood”, “the story of high noon”, “Lottery”, and “Walnut tree”.</p> <p>K-POPERis his DEBUT feature film.</p> <p>&nbsp;

FESTIVALS

</p> <p>&nbsp;</p> <p>&nbsp;

Director's note

</p> <p>The constant story of teenagers everywhere in the world; identity. Who am I? This film is a reflection on this question from a new perspective.</p> <p>Since university to making my first film, K-POPER, working with actors has been my main interest . The process of director and actor collaborating to create a role. Creating a human being. That was my senior thesis. At K-Popper, we tried to discover new worlds with actors, especially teenagers.</p> <p>

STILLS

</p> <p><img src="https://7thartfilms.ir/images/K-POPER1.jpg" alt="K POPER1" width="593" height="395" /></p> <p><img src="https://7thartfilms.ir/images/K-POPER2.jpg" alt="K POPER2" width="608" height="405" /></p> <p>&nbsp;</p> <p>

TRAILER

</p> <p class="yiv5374574745MsoNormal"><b><a href="https://drive.google.com/file/d/1dfAJ46vE5548a5o_4Rw59nlbl-Iyg0YO/view?usp=sharing">https://drive.google.com/file/d/1dfAJ46vE5548a5o_4Rw59nlbl-Iyg0YO/view?usp=sharing</a>&nbsp;</b><br /><a href="https://vimeo.com/355810434" target="_blank" rel="noopener noreferrer"></a></p> <p>
</p>
<p>&nbsp;</p> <p><br /><span style="font-family: arial, helvetica, sans-serif;"> Director: Ebrahim&nbsp;Amini&nbsp;</span></p> <p><span style="font-family: arial, helvetica, sans-serif;">Writer: Ali Mohammad Hesamfar/Ebrahim&nbsp;Amini&nbsp;</span></p> <p><span style="font-family: arial, helvetica, sans-serif;">Director of Photography: Alireza Barazandeh</span></p> <p><span style="font-family: arial, helvetica, sans-serif;">&nbsp;Editor: Hosein Jamshidi gohari</span></p> <p><span style="font-family: arial, helvetica, sans-serif;">Composer: Masoud sekhavatdoost</span></p> <p><span style="font-family: arial, helvetica, sans-serif;">Sound recorder: Masih Hadpoor Seraj</span></p> <p><span style="font-family: arial, helvetica, sans-serif;">&nbsp;Sound Mixer: Zohreh Aliakbari</span></p> <p><span style="font-family: arial, helvetica, sans-serif;">Set &amp; Costume designer: Reza Razm</span></p> <p><span style="font-family: arial, helvetica, sans-serif;">Makeup designer: Mehdi Sayyad</span></p> <p><span style="font-family: arial, helvetica, sans-serif;">Casts: Sareh Bayat, Setayesh Dehghan, Ali Bagheri, Mehdi Hashemi</span></p> <p><span style="font-family: arial, helvetica, sans-serif;">&nbsp;Production Manager: Esmaeil Kolbi Abadi</span></p> <p><span style="font-family: arial, helvetica, sans-serif;">&nbsp;Producer: Sajjad Nasrollahi Nasab</span></p> <p><span style="font-family: arial, helvetica, sans-serif;">– Color - min 85– 2025 - Iran</span></p> <p>&nbsp;

Synopsis

</p> <p>&nbsp;An Iranian teenage girl, has fallen in love with one of the K-pop singers and wants to go to Seoul to meet him and participate in a competition. She is admitted to the exam, but her mother is against her.</p> <p>

DIRECTOR

</p> <p><img src="https://7thartfilms.ir/images/Ebrahim_Amini.jpeg" alt="Ebrahim Amini" width="234" height="289" /></p> <p>Ebrahim Amini is an Iranian actor, screenwriter, and director. He was born in 1982 and holds a master's degree in directing. He began his professional career on television.&nbsp;He started his career as the Writer. Writing movies script like as “Trace of blood”, “the story of high noon”, “Lottery”, and “Walnut tree”.</p> <p>K-POPERis his DEBUT feature film.</p> <p>&nbsp;

FESTIVALS

</p> <p>&nbsp;</p> <p>&nbsp;

Director's note

</p> <p>The constant story of teenagers everywhere in the world; identity. Who am I? This film is a reflection on this question from a new perspective.</p> <p>Since university to making my first film, K-POPER, working with actors has been my main interest . The process of director and actor collaborating to create a role. Creating a human being. That was my senior thesis. At K-Popper, we tried to discover new worlds with actors, especially teenagers.</p> <p>

STILLS

</p> <p><img src="https://7thartfilms.ir/images/K-POPER1.jpg" alt="K POPER1" width="593" height="395" /></p> <p><img src="https://7thartfilms.ir/images/K-POPER2.jpg" alt="K POPER2" width="608" height="405" /></p> <p>&nbsp;</p> <p>

TRAILER

</p> <p class="yiv5374574745MsoNormal"><b><a href="https://drive.google.com/file/d/1dfAJ46vE5548a5o_4Rw59nlbl-Iyg0YO/view?usp=sharing">https://drive.google.com/file/d/1dfAJ46vE5548a5o_4Rw59nlbl-Iyg0YO/view?usp=sharing</a>&nbsp;</b><br /><a href="https://vimeo.com/355810434" target="_blank" rel="noopener noreferrer"></a></p> <p>
</p>
the Summer that Snowed (Tabestani ke Barf Amad) 2024-07-21T06:09:59+03:30 2024-07-21T06:09:59+03:30 https://7thartfilms.ir/feature/134-the-summer-that-snowed-tabestani-ke-barf-amad 7th Art Films info@7thartfilms.ir <p>&nbsp;</p> <p><img src="https://7thartfilms.ir/images/b1f5f2fa27-poster.jpg" alt="b1f5f2fa27 poster" width="480" height="672" /></p> <p>Director: Nasim Forough<br />Producer: Maryam Bahrololumi<br />D.o.P: Masoud Amini Tirani<br />Sound Recordist: Ali Kianersi<br />Sound Mixer: Mahmoud Mousavi Nezhad<br />Editor: Sina Ganjavi<br />Composer: Roozbeh Nematollahi<br />Make-up Artist: Omid Golzadeh<br />Set &amp; Costume Designer: Farahnaz Naderi - Mojgan Eivazy<br />Writer: Fatima Abahamzeh<br />Director Consultant: Maryam Bahrololumi<br />Cast: Reza Akhlaghirad – Nooshin Masoudian – Ghazal Shojaei – Mani<br />Parsa – Amin Imani – Mohammad Heidari – Rojan Iraji &amp; Shirin Aghakashi<br />Production Company: Bahr Films Group<br />International Distribution &amp; Sale: 7 th Art Films Co.<br />*Fiction, 80 min, Camera: mini Alexa, 16:9, 2023, Color, Iran</p> <p>

Synopsis

</p> <p>the film is a story of a crisis in the life of a family of three, where<br />the father for daughter's happiness and problem solving, has no choice but<br />to ignore the Law and more!</p> <p>

DIRECTOR

</p> <p><img src="https://7thartfilms.ir/images/0b78bf08b6-headshot.jpg" alt="0b78bf08b6 headshot" width="242" height="299" /></p> <p>"Nasim Forough" was born in 1979-12-30 / Tehran-Iran.<br />She has a master's degree in Dramatic Literature. Apart from her activities<br />in the field of photography and writing, she worked as an actress until 2020<br />in Iranian movie &amp; series and then directed a few short films.<br />"The Summer That Snowed" is the first feature film made by her as a<br />Director.</p> <p>

FESTIVALS

</p> <p>&nbsp;</p> <p>-Marbella Film Festival, Spain 2024</p> <p>&nbsp;

Director's note

</p> <p>the wonderful relationship between father and<br />daughter is so beautiful that you can sing different poems, write many<br />books and make several movies about it. A romantic relationship, not just a<br />blood relationship, but a human relationship for expecting children….</p> <p>

STILLS

</p> <p>&nbsp;<img src="https://7thartfilms.ir/images/SUMMER_THAT_SNOWED.JPG" alt="SUMMER THAT SNOWED" />&nbsp;</p> <p><img src="https://7thartfilms.ir/images/SUMMER_THAT_SNOWED2.JPG" alt="SUMMER THAT SNOWED2" /></p> <p>

TRAILER

</p> <p class="yiv5374574745MsoNormal"><b>&nbsp;</b><br /><a href="https://vimeo.com/355810434" target="_blank" rel="noopener noreferrer"></a></p> <p>
</p>
<p>&nbsp;</p> <p><img src="https://7thartfilms.ir/images/b1f5f2fa27-poster.jpg" alt="b1f5f2fa27 poster" width="480" height="672" /></p> <p>Director: Nasim Forough<br />Producer: Maryam Bahrololumi<br />D.o.P: Masoud Amini Tirani<br />Sound Recordist: Ali Kianersi<br />Sound Mixer: Mahmoud Mousavi Nezhad<br />Editor: Sina Ganjavi<br />Composer: Roozbeh Nematollahi<br />Make-up Artist: Omid Golzadeh<br />Set &amp; Costume Designer: Farahnaz Naderi - Mojgan Eivazy<br />Writer: Fatima Abahamzeh<br />Director Consultant: Maryam Bahrololumi<br />Cast: Reza Akhlaghirad – Nooshin Masoudian – Ghazal Shojaei – Mani<br />Parsa – Amin Imani – Mohammad Heidari – Rojan Iraji &amp; Shirin Aghakashi<br />Production Company: Bahr Films Group<br />International Distribution &amp; Sale: 7 th Art Films Co.<br />*Fiction, 80 min, Camera: mini Alexa, 16:9, 2023, Color, Iran</p> <p>

Synopsis

</p> <p>the film is a story of a crisis in the life of a family of three, where<br />the father for daughter's happiness and problem solving, has no choice but<br />to ignore the Law and more!</p> <p>

DIRECTOR

</p> <p><img src="https://7thartfilms.ir/images/0b78bf08b6-headshot.jpg" alt="0b78bf08b6 headshot" width="242" height="299" /></p> <p>"Nasim Forough" was born in 1979-12-30 / Tehran-Iran.<br />She has a master's degree in Dramatic Literature. Apart from her activities<br />in the field of photography and writing, she worked as an actress until 2020<br />in Iranian movie &amp; series and then directed a few short films.<br />"The Summer That Snowed" is the first feature film made by her as a<br />Director.</p> <p>

FESTIVALS

</p> <p>&nbsp;</p> <p>-Marbella Film Festival, Spain 2024</p> <p>&nbsp;

Director's note

</p> <p>the wonderful relationship between father and<br />daughter is so beautiful that you can sing different poems, write many<br />books and make several movies about it. A romantic relationship, not just a<br />blood relationship, but a human relationship for expecting children….</p> <p>

STILLS

</p> <p>&nbsp;<img src="https://7thartfilms.ir/images/SUMMER_THAT_SNOWED.JPG" alt="SUMMER THAT SNOWED" />&nbsp;</p> <p><img src="https://7thartfilms.ir/images/SUMMER_THAT_SNOWED2.JPG" alt="SUMMER THAT SNOWED2" /></p> <p>

TRAILER

</p> <p class="yiv5374574745MsoNormal"><b>&nbsp;</b><br /><a href="https://vimeo.com/355810434" target="_blank" rel="noopener noreferrer"></a></p> <p>
</p>
Gazelle ( Ahoo) 2024-07-21T05:29:59+03:30 2024-07-21T05:29:59+03:30 https://7thartfilms.ir/feature/133-gazelle-ahoo 7th Art Films info@7thartfilms.ir <p>&nbsp;</p> <p><img src="https://7thartfilms.ir/images/407f3d653a-poster.jpg" alt="407f3d653a poster" width="477" height="477" /></p> <p>GAZELLE (Ahoo)<br />Director: Houshang Golmakani<br />Cinematographer: Alireza Zarrindast<br />Editor: Emad Khodabakhsh<br />Music: Fardin Khalatbari<br />Producer: Javad Nowrouzbeigi<br />Cast: Sepideh Arman, Ali Mosaffa, Hamed Komeili, Reza Yazdani, Soheila Razavi and Reza Kianian<br />Iran, 91 mins., 2023<br />Image: UltraHD 3840/2160<br />Ratio: 16:9<br />Sound: 5.1</p> <p>&nbsp;

Synopsis

</p> <p>&nbsp;After the mysterious disappearance of her fiancée, a young sculptor moves to a house in a<br />far-flung corner, where the few occupants of the area all seem to have moved here from<br />somewhere else, each carrying their own secrets.<br />After mysterious apprehension, disappearance of her fiancée, Farhad, a young sculptor named Parvaneh<br />moves to a house in a far-flung corner in the north of Iran. The few occupants of this area all seem to have<br />moved here from somewhere else, each carrying their own secrets, and she lives with the hope of some<br />news from him even though she is not even sure if he is still alive. The only thing that makes her happy is<br />reading Farhad’s favorite books, which she records and publishes as audiobooks. A call from a friend as<br />well as the local gallerist informs Parvaneh that some people have been looking for her. At the end,<br />Farhad comes to where Parvaneh lives. It is unclear how much time has passed and what he has been<br />through, but by the time he gets to Parvaneh’s house – as a metaphor for the homeland - the place is an<br />empty ruin, covered in dust.</p> <p>

DIRECTOR

</p> <p><img src="https://7thartfilms.ir/images/Golmakani.jpg" alt="Golmakani" width="292" height="289" /></p> <p>Houshang Golmakani was born on March 1954 in Gorgan in North of Iran. He studied cinema in College<br />of Dramatic Arts in Tehran and began his career as a journalist in 1972. As a film critic, translator he is<br />one of the founders and chief editor of FILM Monthly, the oldest and most prestigious Iranian film<br />magazine published since 1982 and now continues as FILM-Emrooz (Film-Today). In a poll organized by<br />Iranian film critics in 1999 Golmakani selected as the most effective, influential film critic of the country<br />during past three decades. He is a member of NETPAC and also has been a member of jury in some<br />international film festivals. Golmakani is also writer and translator of some film books. Golmakani made<br />Stardust-Stricken, a long documentary about internationally well-known Iranian self-exiled filmmaker<br />Mohsen Makhmalbaf in 1995. Gazelle (Ahoo) is his first feature film.</p> <p>&nbsp;</p> <p>

FESTIVALS

</p> <p><br /> -Moscow Film Festival, 2024, Russia</p> <p>-Iranian Film Festival Praha, Czech Republic 2024</p> <p>-Eurasian&nbsp;Creative&nbsp;Guild Film Festival London, UK 2024</p> <p>-GOLDEN MINBAR Kazan Film Festival, Tatarstan 2024</p> <p>-Marbella Film Festival, Spain 2024</p> <p>&nbsp;

Director's note

</p> <p>Making my first feature film in my 60s is coming true of an old dream which I had in my mind since<br />when I was a teenager. And that dreams, now, have mixed with harsh issues of the time. Gazelle is the<br />story of endless, inconclusive searching for love; a love story which its sorrow is only one tale but,<br />according Hafez, “From everyone that I hear, it is never the same.”</p> <p>

STILLS

</p> <p><img src="https://7thartfilms.ir/images/DSC_3670.jpg" alt="DSC 3670" width="514" height="343" /></p> <p>

TRAILER

</p> <p class="yiv5374574745MsoNormal"><a href="https://vimeo.com/355810434" target="_blank" rel="noopener noreferrer"></a><b><a href="https://drive.google.com/file/d/1C__j_8aGHZghMYXDhnO_kBR7GgByURbv/view?usp=sharing">https://drive.google.com/file/d/1C__j_8aGHZghMYXDhnO_kBR7GgByURbv/view?usp=sharing</a></b></p> <p class="yiv5374574745MsoNormal"><b>&nbsp;</b></p> <p>
</p>
<p>&nbsp;</p> <p><img src="https://7thartfilms.ir/images/407f3d653a-poster.jpg" alt="407f3d653a poster" width="477" height="477" /></p> <p>GAZELLE (Ahoo)<br />Director: Houshang Golmakani<br />Cinematographer: Alireza Zarrindast<br />Editor: Emad Khodabakhsh<br />Music: Fardin Khalatbari<br />Producer: Javad Nowrouzbeigi<br />Cast: Sepideh Arman, Ali Mosaffa, Hamed Komeili, Reza Yazdani, Soheila Razavi and Reza Kianian<br />Iran, 91 mins., 2023<br />Image: UltraHD 3840/2160<br />Ratio: 16:9<br />Sound: 5.1</p> <p>&nbsp;

Synopsis

</p> <p>&nbsp;After the mysterious disappearance of her fiancée, a young sculptor moves to a house in a<br />far-flung corner, where the few occupants of the area all seem to have moved here from<br />somewhere else, each carrying their own secrets.<br />After mysterious apprehension, disappearance of her fiancée, Farhad, a young sculptor named Parvaneh<br />moves to a house in a far-flung corner in the north of Iran. The few occupants of this area all seem to have<br />moved here from somewhere else, each carrying their own secrets, and she lives with the hope of some<br />news from him even though she is not even sure if he is still alive. The only thing that makes her happy is<br />reading Farhad’s favorite books, which she records and publishes as audiobooks. A call from a friend as<br />well as the local gallerist informs Parvaneh that some people have been looking for her. At the end,<br />Farhad comes to where Parvaneh lives. It is unclear how much time has passed and what he has been<br />through, but by the time he gets to Parvaneh’s house – as a metaphor for the homeland - the place is an<br />empty ruin, covered in dust.</p> <p>

DIRECTOR

</p> <p><img src="https://7thartfilms.ir/images/Golmakani.jpg" alt="Golmakani" width="292" height="289" /></p> <p>Houshang Golmakani was born on March 1954 in Gorgan in North of Iran. He studied cinema in College<br />of Dramatic Arts in Tehran and began his career as a journalist in 1972. As a film critic, translator he is<br />one of the founders and chief editor of FILM Monthly, the oldest and most prestigious Iranian film<br />magazine published since 1982 and now continues as FILM-Emrooz (Film-Today). In a poll organized by<br />Iranian film critics in 1999 Golmakani selected as the most effective, influential film critic of the country<br />during past three decades. He is a member of NETPAC and also has been a member of jury in some<br />international film festivals. Golmakani is also writer and translator of some film books. Golmakani made<br />Stardust-Stricken, a long documentary about internationally well-known Iranian self-exiled filmmaker<br />Mohsen Makhmalbaf in 1995. Gazelle (Ahoo) is his first feature film.</p> <p>&nbsp;</p> <p>

FESTIVALS

</p> <p><br /> -Moscow Film Festival, 2024, Russia</p> <p>-Iranian Film Festival Praha, Czech Republic 2024</p> <p>-Eurasian&nbsp;Creative&nbsp;Guild Film Festival London, UK 2024</p> <p>-GOLDEN MINBAR Kazan Film Festival, Tatarstan 2024</p> <p>-Marbella Film Festival, Spain 2024</p> <p>&nbsp;

Director's note

</p> <p>Making my first feature film in my 60s is coming true of an old dream which I had in my mind since<br />when I was a teenager. And that dreams, now, have mixed with harsh issues of the time. Gazelle is the<br />story of endless, inconclusive searching for love; a love story which its sorrow is only one tale but,<br />according Hafez, “From everyone that I hear, it is never the same.”</p> <p>

STILLS

</p> <p><img src="https://7thartfilms.ir/images/DSC_3670.jpg" alt="DSC 3670" width="514" height="343" /></p> <p>

TRAILER

</p> <p class="yiv5374574745MsoNormal"><a href="https://vimeo.com/355810434" target="_blank" rel="noopener noreferrer"></a><b><a href="https://drive.google.com/file/d/1C__j_8aGHZghMYXDhnO_kBR7GgByURbv/view?usp=sharing">https://drive.google.com/file/d/1C__j_8aGHZghMYXDhnO_kBR7GgByURbv/view?usp=sharing</a></b></p> <p class="yiv5374574745MsoNormal"><b>&nbsp;</b></p> <p>
</p>
A PIECE OF CLUOD( Yek Tekeh Abr) 2024-03-04T10:31:00+03:30 2024-03-04T10:31:00+03:30 https://7thartfilms.ir/feature/125-a-piece-of-clud 7th Art Films info@7thartfilms.ir <p>&nbsp;</p> <p><img src="https://7thartfilms.ir/images/director/A_PIECE_OF_CLOUD-poster.jpg" alt="A PIECE OF CLOUD poster" width="304" height="437" /></p> <p></p> <p>Director, Producer, Writer: Ali Ghavitan</p> <p>D. of Photography: Hamed Ghavitan</p> <p>Editor: Ali Ghavitan</p> <p>Composer: Saba Samimi</p> <p>Sound: Behrouz Shahamat</p> <p>Make up: Neda Moghadammanesh</p> <p>Set Designer: Ali Ghavitan</p> <p>&nbsp;costume designer: H. Moghadammanesh, Monireh Eshaghian</p> <p>Dress Designing: Jamileh Reyhani</p> <p>Casts:</p> <p>Hoda Moghadammanesh,AmirMahdi Hassanpour, Ali Ghavitan, Abbas Darvishzadeh,Yousef Ahmadi</p> <p>,Hadi Hashemi</p> <p>93 min, 2024,Drama, Family.&nbsp;</p> <p>

SYNOPSIS

</p> <p>An old writer&nbsp; enters a dead-end village and he wants to write a story about the People's situation and&nbsp;he also wants to meet a child who has the dreams of finding his father and also a young woman who was forced to leave the university and had to come to this village, she herself is a professional beekeeper.</p> <p>

DIRECTOR

</p> <p><img src="https://7thartfilms.ir/images/Ali_Ghavitan.jpg" alt="Ali Ghavitan" /></p> <p><strong>Bio/Filmography:</strong></p> <p>Iranian director Ali Ghavitan, born 1964 in Dargaz started his professioal career in 1991 by making<br />several commercial films. After making 7 films, he continued his career as an independent filmmaker<br />and made films such as“Flight of the Kites”,“my mother’s Blue sky”,“White Bridge”, “Dream about<br />Sohrab” . “Life &amp; Life”. which well received and honoured by the awards in many prestigious festivals<br />around theworld.</p> <p>Among his films are:</p> <p>- My Love, My City 1991</p> <p>- Storm Bump 1993</p> <p>- Conspiracy 1995</p> <p>- Lonely 1997</p> <p>- Effigies 2001</p> <p>- Birthday Song 2004</p> <p>- Very Hot Nescafe 2005</p> <p>- Spring Winds 2010</p> <p>- Dragonflies of the Green Pond 2011</p> <p>- Flight of the Kites 2012</p> <p>- Sunlight, Moonlight, Earth 2013</p> <p>- The Return 2014</p> <p>- My Mother’s Blue Sky 2015</p> <p>- White Bridge 2017</p> <p>-Dream About Sohrab 2020</p> <p>-Ziba's Wish 2021</p> <p>-Life &amp; Life 2022</p> <p>

DIALOGUE LIST

</p> <p>Your text...</p> <p>

Director's note

</p> <p>There are many people in this world who have to go through the most difficult ways to<br />achieve their smallest dreams and for livingat the lowest level of society, they have to pay a big price.</p> <p>

STILLS

</p> <p>&nbsp;<img src="https://7thartfilms.ir/images/A_piece_of_cloud.jpg" alt="A piece of cloud" width="771" height="433" /></p> <p><img src="https://7thartfilms.ir/images/A_piece_of_cloud_1.jpg" alt="A piece of cloud 1" /></p> <p><img src="https://7thartfilms.ir/images/A_piece_of_cloud_2.jpg" alt="A piece of cloud 2" /></p> <p>&nbsp;

Tab Title 1

</p> <p>Your text...</p> <p>

Tab Title 2

</p> <p>&nbsp;</p> <p>Your text...</p> <p>
Festivals:</p> <p>-Busan Film , S. Korea, 2022</p> <p>-Dhaka International FF , Bangladesh, 2023</p> <p>-Seoul Green FF, S.Korea 2023</p> <p>-Independent Film Festival, Casablanca, Morocco 2023( Jury Special Mention for the Best Film &amp; the Best child actress)</p> <p>-&nbsp;Baikal&nbsp;Festival&nbsp;"People and Environment"&nbsp; , Russia 2024</p> <p>-Religion Today FF, Italy 2023&nbsp;</p>
<p>&nbsp;</p> <p><img src="https://7thartfilms.ir/images/director/A_PIECE_OF_CLOUD-poster.jpg" alt="A PIECE OF CLOUD poster" width="304" height="437" /></p> <p></p> <p>Director, Producer, Writer: Ali Ghavitan</p> <p>D. of Photography: Hamed Ghavitan</p> <p>Editor: Ali Ghavitan</p> <p>Composer: Saba Samimi</p> <p>Sound: Behrouz Shahamat</p> <p>Make up: Neda Moghadammanesh</p> <p>Set Designer: Ali Ghavitan</p> <p>&nbsp;costume designer: H. Moghadammanesh, Monireh Eshaghian</p> <p>Dress Designing: Jamileh Reyhani</p> <p>Casts:</p> <p>Hoda Moghadammanesh,AmirMahdi Hassanpour, Ali Ghavitan, Abbas Darvishzadeh,Yousef Ahmadi</p> <p>,Hadi Hashemi</p> <p>93 min, 2024,Drama, Family.&nbsp;</p> <p>

SYNOPSIS

</p> <p>An old writer&nbsp; enters a dead-end village and he wants to write a story about the People's situation and&nbsp;he also wants to meet a child who has the dreams of finding his father and also a young woman who was forced to leave the university and had to come to this village, she herself is a professional beekeeper.</p> <p>

DIRECTOR

</p> <p><img src="https://7thartfilms.ir/images/Ali_Ghavitan.jpg" alt="Ali Ghavitan" /></p> <p><strong>Bio/Filmography:</strong></p> <p>Iranian director Ali Ghavitan, born 1964 in Dargaz started his professioal career in 1991 by making<br />several commercial films. After making 7 films, he continued his career as an independent filmmaker<br />and made films such as“Flight of the Kites”,“my mother’s Blue sky”,“White Bridge”, “Dream about<br />Sohrab” . “Life &amp; Life”. which well received and honoured by the awards in many prestigious festivals<br />around theworld.</p> <p>Among his films are:</p> <p>- My Love, My City 1991</p> <p>- Storm Bump 1993</p> <p>- Conspiracy 1995</p> <p>- Lonely 1997</p> <p>- Effigies 2001</p> <p>- Birthday Song 2004</p> <p>- Very Hot Nescafe 2005</p> <p>- Spring Winds 2010</p> <p>- Dragonflies of the Green Pond 2011</p> <p>- Flight of the Kites 2012</p> <p>- Sunlight, Moonlight, Earth 2013</p> <p>- The Return 2014</p> <p>- My Mother’s Blue Sky 2015</p> <p>- White Bridge 2017</p> <p>-Dream About Sohrab 2020</p> <p>-Ziba's Wish 2021</p> <p>-Life &amp; Life 2022</p> <p>

DIALOGUE LIST

</p> <p>Your text...</p> <p>

Director's note

</p> <p>There are many people in this world who have to go through the most difficult ways to<br />achieve their smallest dreams and for livingat the lowest level of society, they have to pay a big price.</p> <p>

STILLS

</p> <p>&nbsp;<img src="https://7thartfilms.ir/images/A_piece_of_cloud.jpg" alt="A piece of cloud" width="771" height="433" /></p> <p><img src="https://7thartfilms.ir/images/A_piece_of_cloud_1.jpg" alt="A piece of cloud 1" /></p> <p><img src="https://7thartfilms.ir/images/A_piece_of_cloud_2.jpg" alt="A piece of cloud 2" /></p> <p>&nbsp;

Tab Title 1

</p> <p>Your text...</p> <p>

Tab Title 2

</p> <p>&nbsp;</p> <p>Your text...</p> <p>
Festivals:</p> <p>-Busan Film , S. Korea, 2022</p> <p>-Dhaka International FF , Bangladesh, 2023</p> <p>-Seoul Green FF, S.Korea 2023</p> <p>-Independent Film Festival, Casablanca, Morocco 2023( Jury Special Mention for the Best Film &amp; the Best child actress)</p> <p>-&nbsp;Baikal&nbsp;Festival&nbsp;"People and Environment"&nbsp; , Russia 2024</p> <p>-Religion Today FF, Italy 2023&nbsp;</p>
SUDABEH 2022-08-07T16:43:43+04:30 2022-08-07T16:43:43+04:30 https://7thartfilms.ir/feature/112-sudabeh 7th Art Films info@7thartfilms.ir <p></p> <p><img src="https://7thartfilms.ir/images/poster_Sudabeh_001_2.jpg" alt="poster Sudabeh 001 2" /></p> <p><em>Director:&nbsp;&nbsp;</em>Mohammad Ali Sajadi</p> <p><em>Screenplay:&nbsp;</em>Mohammad Ali Sajadi</p> <p><em>Director of Photography:&nbsp;</em>Rouzbeh Raiga</p> <p><em>&nbsp;Editor:&nbsp;</em>Mohammad Ali Sajadi</p> <p><em>&nbsp;Composer:&nbsp;</em>Karen Homayounfar</p> <p>&nbsp;<em>Sound recorder:&nbsp;</em>Amir Ashegh</p> <p><em>Sound Mixer:&nbsp;</em>Mahmoud Mousavinezhad</p> <p><em>Set and Costume designer:&nbsp;</em>Jahangir Mirzakhani</p> <p><em>Makeup designer:&nbsp;</em>Abbas Abbasi</p> <p><em>Production Manager</em>: Mostafa Sajadi</p> <p>Casts: Arman Darvish,Sanaz Saeidi,Reza Molaee,Anahita Dargahi,Rouya Teymorian,Reza Babak,Setareh Eskandari</p> <p><em>Producer:&nbsp; </em>Mohammad Ali Sajadi</p> <p>Production Company: Oja Film &amp; Experience</p> <p>Ratio:16.9/&nbsp;English Subtitle . color –&nbsp;min.... 2022 - Iran</p> <p>

SYNOPSIS

</p> <p>Mehrdad lives with his mother in an old house. Since he’d a crush on Soodabeh, proposed her by her brother’s suggestion. They got married. At the first night, Soodabeh has a nightmare and claims to have seen an elf and goes into convulsions and Mehrdad is forced to take her to his parent's house. He gets upset. His mother, however, calms him down. This mental conflict continues, and Soodabeh's sinking under a mental crisis. The doctor advices the only way of Soodabeh’s treatment is to leave that house. But the mother is very attached to the house, and her two memories including the lost daughter and husband prevent her from doing so. Mehrdad is struggling in this crisis in the hope of freedom.</p> <p>-------------</p> <p>Log Line</p> <p>Mehrdad marries Soodabeh, his colleague and friend's sister, and takes her to their old house to spend time with his mother, where they face with some adventures.</p> <p>

DIRECTOR

</p> <p><img src="https://7thartfilms.ir/images/Mr._Sajadi.jpg" alt="Mr. Sajadi" width="298" height="447" /></p> <p><strong>Bio/Filmography:</strong></p> <p>Born in 1957 in&nbsp;Amol,&nbsp;Mohamad&nbsp;Ali&nbsp;Sajjadi&nbsp;began&nbsp;painting and calligraphy in second grade of elementary&nbsp;school.&nbsp;Sajjsdi made his first short&nbsp;film, WHO IS THE CLEVEREST OF ALL?&nbsp;,&nbsp;when he was 13.&nbsp;Then he made some 8 mm. films in Free Cinema Workshop. His first amateur 16mm. Short film, THE RAIL, was made in 1979.&nbsp;Two years later, he directed his first feature film, THE ROAD, but it took him another three years to enter the professional filmmaking with INVESTIGATION ON A MURDER.&nbsp;An active poet, novelist and director,&nbsp;Sajjadi&nbsp;has written all his films except THE STRIFE. Feature Films: 1981 – THE ROAD; 1984 – INVESTIGATION ON A MURDER;1987&nbsp;– THE STRIFE,1988 – THE LOST GROUP, 1989 – AS THE WIND, 1990 – GOZAL, 1993- &nbsp;THE LEGEND OF THE MOON AND LEOPARD, 1998- THE BEAD, 1998 – THE BEWITCHED, 2001 – Color OF THE NIGHT, 2002&nbsp;-ETHEREAL,&nbsp;2003 – PASSWORD,&nbsp;2004 – THE CRIM , 2005&nbsp;–&nbsp;AGILE , 2006 – PASSIONATE , 2007 – HEAT , 2008 – SHADOW OF WATER , 2009 - INVESTIGATORS</p> <p>

DIALOGUE LIST

</p> <p>Your text...</p> <p>

Director's note

</p> <p>The script of "Soodabeh" was sent to me by a friend, based on a news item on a site. Since I had previously dealt with this issue in a movie called "Divorce Me for the Cats" (2018) as well as "Jahi and the Poet and Other Issues" Novel and I’d also organized an exhibition of my paintings entitled by "Woman, Pomegranate, Cat", I began to write its script. The film’s been made in the mystery genre with horror sauce, of course; it’s continued toward changing of the rules or creating a new genre. The title of the film is taken from Soodabeh's character of the story of Siyavash in the mythological gest named Ferdowsi Shahnameh, in the story of Siyavash. I also made this story to a movie in 2015.</p> <p>

Tab Title 1

</p> <p>Your text...</p> <p>

Tab Title 2

</p> <p>Your text...</p> <p>
Festivals:</p> <p>-Zanzibar International Film Festival (<span class="il">ZIFF</span>) 2023</p> <p>

STILLS

</p> <p><img src="https://7thartfilms.ir/images/IMG_9578.JPG" alt="IMG 9578" /></p>
<p></p> <p><img src="https://7thartfilms.ir/images/poster_Sudabeh_001_2.jpg" alt="poster Sudabeh 001 2" /></p> <p><em>Director:&nbsp;&nbsp;</em>Mohammad Ali Sajadi</p> <p><em>Screenplay:&nbsp;</em>Mohammad Ali Sajadi</p> <p><em>Director of Photography:&nbsp;</em>Rouzbeh Raiga</p> <p><em>&nbsp;Editor:&nbsp;</em>Mohammad Ali Sajadi</p> <p><em>&nbsp;Composer:&nbsp;</em>Karen Homayounfar</p> <p>&nbsp;<em>Sound recorder:&nbsp;</em>Amir Ashegh</p> <p><em>Sound Mixer:&nbsp;</em>Mahmoud Mousavinezhad</p> <p><em>Set and Costume designer:&nbsp;</em>Jahangir Mirzakhani</p> <p><em>Makeup designer:&nbsp;</em>Abbas Abbasi</p> <p><em>Production Manager</em>: Mostafa Sajadi</p> <p>Casts: Arman Darvish,Sanaz Saeidi,Reza Molaee,Anahita Dargahi,Rouya Teymorian,Reza Babak,Setareh Eskandari</p> <p><em>Producer:&nbsp; </em>Mohammad Ali Sajadi</p> <p>Production Company: Oja Film &amp; Experience</p> <p>Ratio:16.9/&nbsp;English Subtitle . color –&nbsp;min.... 2022 - Iran</p> <p>

SYNOPSIS

</p> <p>Mehrdad lives with his mother in an old house. Since he’d a crush on Soodabeh, proposed her by her brother’s suggestion. They got married. At the first night, Soodabeh has a nightmare and claims to have seen an elf and goes into convulsions and Mehrdad is forced to take her to his parent's house. He gets upset. His mother, however, calms him down. This mental conflict continues, and Soodabeh's sinking under a mental crisis. The doctor advices the only way of Soodabeh’s treatment is to leave that house. But the mother is very attached to the house, and her two memories including the lost daughter and husband prevent her from doing so. Mehrdad is struggling in this crisis in the hope of freedom.</p> <p>-------------</p> <p>Log Line</p> <p>Mehrdad marries Soodabeh, his colleague and friend's sister, and takes her to their old house to spend time with his mother, where they face with some adventures.</p> <p>

DIRECTOR

</p> <p><img src="https://7thartfilms.ir/images/Mr._Sajadi.jpg" alt="Mr. Sajadi" width="298" height="447" /></p> <p><strong>Bio/Filmography:</strong></p> <p>Born in 1957 in&nbsp;Amol,&nbsp;Mohamad&nbsp;Ali&nbsp;Sajjadi&nbsp;began&nbsp;painting and calligraphy in second grade of elementary&nbsp;school.&nbsp;Sajjsdi made his first short&nbsp;film, WHO IS THE CLEVEREST OF ALL?&nbsp;,&nbsp;when he was 13.&nbsp;Then he made some 8 mm. films in Free Cinema Workshop. His first amateur 16mm. Short film, THE RAIL, was made in 1979.&nbsp;Two years later, he directed his first feature film, THE ROAD, but it took him another three years to enter the professional filmmaking with INVESTIGATION ON A MURDER.&nbsp;An active poet, novelist and director,&nbsp;Sajjadi&nbsp;has written all his films except THE STRIFE. Feature Films: 1981 – THE ROAD; 1984 – INVESTIGATION ON A MURDER;1987&nbsp;– THE STRIFE,1988 – THE LOST GROUP, 1989 – AS THE WIND, 1990 – GOZAL, 1993- &nbsp;THE LEGEND OF THE MOON AND LEOPARD, 1998- THE BEAD, 1998 – THE BEWITCHED, 2001 – Color OF THE NIGHT, 2002&nbsp;-ETHEREAL,&nbsp;2003 – PASSWORD,&nbsp;2004 – THE CRIM , 2005&nbsp;–&nbsp;AGILE , 2006 – PASSIONATE , 2007 – HEAT , 2008 – SHADOW OF WATER , 2009 - INVESTIGATORS</p> <p>

DIALOGUE LIST

</p> <p>Your text...</p> <p>

Director's note

</p> <p>The script of "Soodabeh" was sent to me by a friend, based on a news item on a site. Since I had previously dealt with this issue in a movie called "Divorce Me for the Cats" (2018) as well as "Jahi and the Poet and Other Issues" Novel and I’d also organized an exhibition of my paintings entitled by "Woman, Pomegranate, Cat", I began to write its script. The film’s been made in the mystery genre with horror sauce, of course; it’s continued toward changing of the rules or creating a new genre. The title of the film is taken from Soodabeh's character of the story of Siyavash in the mythological gest named Ferdowsi Shahnameh, in the story of Siyavash. I also made this story to a movie in 2015.</p> <p>

Tab Title 1

</p> <p>Your text...</p> <p>

Tab Title 2

</p> <p>Your text...</p> <p>
Festivals:</p> <p>-Zanzibar International Film Festival (<span class="il">ZIFF</span>) 2023</p> <p>

STILLS

</p> <p><img src="https://7thartfilms.ir/images/IMG_9578.JPG" alt="IMG 9578" /></p> URGENT CUT OFF 2022-08-07T16:13:09+04:30 2022-08-07T16:13:09+04:30 https://7thartfilms.ir/feature/110-urgent-cut-off 7th Art Films info@7thartfilms.ir <p><img src="https://7thartfilms.ir/images/Poster_eng.jpg" alt="Poster eng" width="426" height="595" /></p> <p>
</p> <p>Ghate Fowri (in original)<strong><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</em></strong></p> <p><strong><em>Director:</em></strong><em> Maryam Bahrololumi</em></p> <p><strong><em>Writer:</em></strong><em> Maryam Bahrololumi &amp; Leyla Nikzad</em></p> <p><strong><em>D.o.P</em></strong><em>: Arash Khallaghdoost</em></p> <p><strong><em>Editor</em></strong><em>: Maryam Bahrololumi &amp; Mohamadhossein Keshavarz</em></p> <p><strong><em>Sound</em></strong><em> <strong>Recordist</strong>: Arsalan Kianersi &amp; Ardalan Kianersi</em></p> <p><strong><em>Sound Mixer:</em></strong><em> Mahmoud Mousavi Nezhad</em></p> <p><strong><em>Make-up Artist:</em></strong><em> Mahdieh Arabi</em></p> <p><strong><em>Set Designer:</em></strong><em> Ali Esmaiely</em></p> <p><strong><em>Costume Designer:</em></strong><em> Maryam Bahrololumi</em></p> <p><strong><em>Composer:</em></strong><em> Evgeny Grinko</em></p> <p><strong><em>Executive Producer: </em></strong><em>Alireza Kianersi</em></p> <p><strong><em>Cast</em></strong><em>: Saman Saffari - Afsaneh Kamali - Ghazal Nazar - Ali Kianersi - Elaheh Mansourian - Shaghayegh Farahani - Roshanak Ajamian - Sogol Tahmasebi - Siavash Cheraghipour - Mohamadrasoul Safari -Yasaman Torabi - Seyed Ahmad Hosseini &amp; The last acting of: Ali Ansarian</em></p> <p><em>&nbsp;</em><strong><em>Producer:</em></strong><em> Maryam Bahrololumi</em></p> <p><strong><em>International Distribution &amp; Sale:</em></strong><em> 7<sup>th</sup> Art Films Co. </em></p> <p><em>&nbsp;</em><em>*Fiction, 80 min, Camera: fs7 Sony, 16:9, October-2021, Color, Iran</em></p> <p>

SYNOPSIS

</p> <p><em>A story of 12hours in the Corona Virus days, when a 5 magnitude earthquake shook Tehran (Capital of Iran) at night and many people stayed out of their houses until late in the morning for fear of a bigger and eventually death... Meysam Kennedy &amp; Shadi are a couple among them, which is the last night of their life together!</em></p> <p><em>&nbsp;</em>

DIRECTOR

</p> <p><img src="https://7thartfilms.ir/images/m-bahrololumi.jpg" alt="m bahrololumi" width="207" height="180" /></p> <p><strong>Bio/Filmography:</strong></p> <p>A</p> <p><em>Maryam Sadat Bahrololumi (in short: Maryam Bahrololumi) was born in 11-05-1985 / Tehran-Iran. She has a degree in Art &amp; Studied in the field of Cinema at the Istanbul University of Turkey. She worked as an assistant director from 2005 until 2018. She is a member of Director Guilds of Iran. She made a few short films &amp; received an Appreciation as a Short Filmmaker from Parliament for Richmond Hill, Ontario-Canada. <strong>Patio </strong>is the first feature film made by her as a Director, Common Scriptwriter &amp; Executive Producer. She won the best Asian Director at 36<sup>th</sup> FIFF &amp; Best women Filmmaker at 18<sup>th</sup> DHAKA international film festival by Patio. <strong>Lady of the City</strong> is the second &amp; <strong>Urgent Cut Off </strong>is third movie of her. </em></p> <p>

DIALOGUE LIST

</p> <p>Your text...</p> <p>

Director's note

</p> <p><em>It is precisely when we imagine that we are not far from death, we realize the value of love &amp; many things that do not seem to us before.</em></p> <p>

STILLS

</p> <p></p> <p>&nbsp;</p> <p><img src="https://7thartfilms.ir/images/Poster_eng.jpg" alt="Poster eng" width="426" height="595" /></p> <p>
</p> <p>Ghate Fowri (in original)<strong><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</em></strong></p> <p><strong><em>Director:</em></strong><em> Maryam Bahrololumi</em></p> <p><strong><em>Writer:</em></strong><em> Maryam Bahrololumi &amp; Leyla Nikzad</em></p> <p><strong><em>D.o.P</em></strong><em>: Arash Khallaghdoost</em></p> <p><strong><em>Editor</em></strong><em>: Maryam Bahrololumi &amp; Mohamadhossein Keshavarz</em></p> <p><strong><em>Sound</em></strong><em> <strong>Recordist</strong>: Arsalan Kianersi &amp; Ardalan Kianersi</em></p> <p><strong><em>Sound Mixer:</em></strong><em> Mahmoud Mousavi Nezhad</em></p> <p><strong><em>Make-up Artist:</em></strong><em> Mahdieh Arabi</em></p> <p><strong><em>Set Designer:</em></strong><em> Ali Esmaiely</em></p> <p><strong><em>Costume Designer:</em></strong><em> Maryam Bahrololumi</em></p> <p><strong><em>Composer:</em></strong><em> Evgeny Grinko</em></p> <p><strong><em>Executive Producer: </em></strong><em>Alireza Kianersi</em></p> <p><strong><em>Cast</em></strong><em>: Saman Saffari - Afsaneh Kamali - Ghazal Nazar - Ali Kianersi - Elaheh Mansourian - Shaghayegh Farahani - Roshanak Ajamian - Sogol Tahmasebi - Siavash Cheraghipour - Mohamadrasoul Safari -Yasaman Torabi - Seyed Ahmad Hosseini &amp; The last acting of: Ali Ansarian</em></p> <p><em>&nbsp;</em><strong><em>Producer:</em></strong><em> Maryam Bahrololumi</em></p> <p><strong><em>International Distribution &amp; Sale:</em></strong><em> 7<sup>th</sup> Art Films Co. </em></p> <p><em>&nbsp;</em><em>*Fiction, 80 min, Camera: fs7 Sony, 16:9, October-2021, Color, Iran</em></p> <p>

SYNOPSIS

</p> <p><em>A story of 12hours in the Corona Virus days, when a 5 magnitude earthquake shook Tehran (Capital of Iran) at night and many people stayed out of their houses until late in the morning for fear of a bigger and eventually death... Meysam Kennedy &amp; Shadi are a couple among them, which is the last night of their life together!</em></p> <p><em>&nbsp;</em>

DIRECTOR

</p> <p><img src="https://7thartfilms.ir/images/m-bahrololumi.jpg" alt="m bahrololumi" width="207" height="180" /></p> <p><strong>Bio/Filmography:</strong></p> <p>A</p> <p><em>Maryam Sadat Bahrololumi (in short: Maryam Bahrololumi) was born in 11-05-1985 / Tehran-Iran. She has a degree in Art &amp; Studied in the field of Cinema at the Istanbul University of Turkey. She worked as an assistant director from 2005 until 2018. She is a member of Director Guilds of Iran. She made a few short films &amp; received an Appreciation as a Short Filmmaker from Parliament for Richmond Hill, Ontario-Canada. <strong>Patio </strong>is the first feature film made by her as a Director, Common Scriptwriter &amp; Executive Producer. She won the best Asian Director at 36<sup>th</sup> FIFF &amp; Best women Filmmaker at 18<sup>th</sup> DHAKA international film festival by Patio. <strong>Lady of the City</strong> is the second &amp; <strong>Urgent Cut Off </strong>is third movie of her. </em></p> <p>

DIALOGUE LIST

</p> <p>Your text...</p> <p>

Director's note

</p> <p><em>It is precisely when we imagine that we are not far from death, we realize the value of love &amp; many things that do not seem to us before.</em></p> <p>

STILLS

</p> <p></p> <p>&nbsp;</p> BALIT 2022-08-07T14:18:08+04:30 2022-08-07T14:18:08+04:30 https://7thartfilms.ir/feature/107-oak 7th Art Films info@7thartfilms.ir <p>&nbsp;</p> <p><img src="https://7thartfilms.ir/images/poster.jpg" alt="poster" width="405" height="567" /></p> <p>
</p> <p><span style="color: #ff0000; font-size: 14pt;"><em>Director:&nbsp;&nbsp;Morteza Rahimi</em></span></p> <p><span style="color: #000000; font-size: 14pt;"><em>Screenplay:&nbsp;Morteza Rahimi</em></span></p> <p><span style="font-size: 14pt; color: #000000;"><em>Director of Photography:&nbsp;</em>Aref Namvar</span></p> <p><span style="font-size: 14pt; color: #000000;"><em>&nbsp;Editor:&nbsp;</em>Movahhed Shadroo</span></p> <p><span style="font-size: 14pt; color: #000000;"><em>&nbsp;Composer:&nbsp;</em>Sattar Oraki</span></p> <p><span style="font-size: 14pt; color: #000000;">&nbsp;<em>Sound recorder:&nbsp;</em>Hamidreza Eslami</span></p> <p><span style="font-size: 14pt; color: #000000;"><em>Sound Mixer:&nbsp;</em>Amir Hossein Sadeqi</span></p> <p><span style="font-size: 14pt; color: #000000;"><em>Set and Costume:&nbsp;</em>Ashraf Shahhoseini</span></p> <p><span style="font-size: 14pt; color: #000000;"><em>Makeup designer:&nbsp;</em>Mohammadreza Golafshar</span></p> <p><span style="font-size: 14pt; color: #000000;"><em>Production Manager:&nbsp;</em>Javad Yoosefi</span></p> <p><span style="font-size: 14pt; color: #000000;">Cast: &nbsp;Amir Reza Faramarzi, Sougol Tahmasebi, Darab Aghasizadeh, Kobra Goudarzi, Mahmoud Maghami, Alireza Osivand,</span></p> <p><span style="font-size: 14pt; color: #000000;"><em>Producer:&nbsp;&nbsp;</em>Seyyed Alireza Sajjadpoor</span></p> <p><span style="font-size: 14pt; color: #000000;">Production:&nbsp;Taraz Film Parsi</span></p> <p><span style="font-size: 14pt; color: #000000;">Shooting Format: 6 K</span></p> <p><span style="font-size: 14pt; color: #000000;">Sound: Dolby Surround</span></p> <p><span style="font-size: 14pt; color: #000000;">Ratio: 2.35:1</span></p> <p><span style="font-size: 14pt; color: #000000;">&nbsp;English</span></p> <p><span style="font-size: 14pt; color: #000000;">85mins – color – 2022 – Iran</span></p> <p>

SYNOPSIS

</p> <p>Baliti is now 12 year old and he is curious and persistent in looking for his mother. All the villagers, even his grandmother, hide his mother's address from him.</p> <p>Baliti studying and at the same he works in a repair shop and a wheat field and he even street peddling and with diligent he wants to help his poor grandfather with the little money he make and with his little savings he wants to go and find his mother and meet her.</p> <p>With great difficulty, he found his mother’s address and phone number, but after several calls his mother didn’t answer, so he decided to travel to Isfahan and find his mother. He went to Isfahan with great difficulty, but…</p> <p>&nbsp;&nbsp;

DIRECTOR

</p> <p></p> <p><strong>Bio/Filmography:</strong></p> <p>&nbsp;Morteza Rahimi, was born in 1984.</p> <p>The actor, director &amp; producer, he started his professional career since 2009. BALIT is his debut film.</p> <p>

DIALOGUE LIST

</p> <p>Your text...</p> <p>

Director's note

</p> <p>I can tell that in reality I have lived in the same geography as is portrayed in this film, moment by moment, and that I have always been looking to capture those bittersweet moments.</p> <p>&nbsp;Balit means OAK which is a symbol of endurance, while the role of Baliti in the film is a boy of different, strong and bold character. I made sure that the film not only shares to a deep level the hardship and loneliness of this boy with the viewer, but it also does reveal the difficulties of the women of the village in every and each one of the scenes.</p> <p>Not only they have to go on working and working, but there are also bitter experiences. The mother of Baliti lives in Isfahan with a lot of suffering and hardship when she separates from her child at the insistence of her brother.</p> <p>Among the films I have worked on so far, I like this particular movie because it is&nbsp; taken from my own life while it reflects on the hard and bitter memories of my own past which are actually the sweetest moments of my life as I remember them now.&nbsp;</p> <p>

STILLS

</p> <p>&nbsp;</p> <p><img src="https://7thartfilms.ir/images/poster.jpg" alt="poster" width="405" height="567" /></p> <p>
</p> <p><span style="color: #ff0000; font-size: 14pt;"><em>Director:&nbsp;&nbsp;Morteza Rahimi</em></span></p> <p><span style="color: #000000; font-size: 14pt;"><em>Screenplay:&nbsp;Morteza Rahimi</em></span></p> <p><span style="font-size: 14pt; color: #000000;"><em>Director of Photography:&nbsp;</em>Aref Namvar</span></p> <p><span style="font-size: 14pt; color: #000000;"><em>&nbsp;Editor:&nbsp;</em>Movahhed Shadroo</span></p> <p><span style="font-size: 14pt; color: #000000;"><em>&nbsp;Composer:&nbsp;</em>Sattar Oraki</span></p> <p><span style="font-size: 14pt; color: #000000;">&nbsp;<em>Sound recorder:&nbsp;</em>Hamidreza Eslami</span></p> <p><span style="font-size: 14pt; color: #000000;"><em>Sound Mixer:&nbsp;</em>Amir Hossein Sadeqi</span></p> <p><span style="font-size: 14pt; color: #000000;"><em>Set and Costume:&nbsp;</em>Ashraf Shahhoseini</span></p> <p><span style="font-size: 14pt; color: #000000;"><em>Makeup designer:&nbsp;</em>Mohammadreza Golafshar</span></p> <p><span style="font-size: 14pt; color: #000000;"><em>Production Manager:&nbsp;</em>Javad Yoosefi</span></p> <p><span style="font-size: 14pt; color: #000000;">Cast: &nbsp;Amir Reza Faramarzi, Sougol Tahmasebi, Darab Aghasizadeh, Kobra Goudarzi, Mahmoud Maghami, Alireza Osivand,</span></p> <p><span style="font-size: 14pt; color: #000000;"><em>Producer:&nbsp;&nbsp;</em>Seyyed Alireza Sajjadpoor</span></p> <p><span style="font-size: 14pt; color: #000000;">Production:&nbsp;Taraz Film Parsi</span></p> <p><span style="font-size: 14pt; color: #000000;">Shooting Format: 6 K</span></p> <p><span style="font-size: 14pt; color: #000000;">Sound: Dolby Surround</span></p> <p><span style="font-size: 14pt; color: #000000;">Ratio: 2.35:1</span></p> <p><span style="font-size: 14pt; color: #000000;">&nbsp;English</span></p> <p><span style="font-size: 14pt; color: #000000;">85mins – color – 2022 – Iran</span></p> <p>

SYNOPSIS

</p> <p>Baliti is now 12 year old and he is curious and persistent in looking for his mother. All the villagers, even his grandmother, hide his mother's address from him.</p> <p>Baliti studying and at the same he works in a repair shop and a wheat field and he even street peddling and with diligent he wants to help his poor grandfather with the little money he make and with his little savings he wants to go and find his mother and meet her.</p> <p>With great difficulty, he found his mother’s address and phone number, but after several calls his mother didn’t answer, so he decided to travel to Isfahan and find his mother. He went to Isfahan with great difficulty, but…</p> <p>&nbsp;&nbsp;

DIRECTOR

</p> <p></p> <p><strong>Bio/Filmography:</strong></p> <p>&nbsp;Morteza Rahimi, was born in 1984.</p> <p>The actor, director &amp; producer, he started his professional career since 2009. BALIT is his debut film.</p> <p>

DIALOGUE LIST

</p> <p>Your text...</p> <p>

Director's note

</p> <p>I can tell that in reality I have lived in the same geography as is portrayed in this film, moment by moment, and that I have always been looking to capture those bittersweet moments.</p> <p>&nbsp;Balit means OAK which is a symbol of endurance, while the role of Baliti in the film is a boy of different, strong and bold character. I made sure that the film not only shares to a deep level the hardship and loneliness of this boy with the viewer, but it also does reveal the difficulties of the women of the village in every and each one of the scenes.</p> <p>Not only they have to go on working and working, but there are also bitter experiences. The mother of Baliti lives in Isfahan with a lot of suffering and hardship when she separates from her child at the insistence of her brother.</p> <p>Among the films I have worked on so far, I like this particular movie because it is&nbsp; taken from my own life while it reflects on the hard and bitter memories of my own past which are actually the sweetest moments of my life as I remember them now.&nbsp;</p> <p>

STILLS

</p> LIFE & LIFE 2022-08-07T14:03:29+04:30 2022-08-07T14:03:29+04:30 https://7thartfilms.ir/feature/106-life-life 7th Art Films info@7thartfilms.ir <p>&nbsp;</p> <p>LIFE &amp; LIFE</p> <p>(Zendegi va Zendegi)</p> <p>
<img src="https://7thartfilms.ir/images/PHOTO-2023-08-03-09-23-56.jpg" alt="PHOTO 2023 08 03 09 23 56" width="333" height="467" /></p> <p><b>Original title: Zendegi va Zendegi</b></p> <p>Director, Producer, Writer: Ali Ghavitan</p> <p>Photography: Hamed Ghavitan</p> <p>Sound: Behrouz Shahamat</p> <p>Edit: Mahdi Hosseinivand</p> <p>Make up: Neda Moghadammanesh</p> <p>Design: Ali Ghavitan</p> <p>Dress Designing: Jamileh Reyhani</p> <p>Casts:</p> <p>Hoda Moghadammanesh,Mehraban Darvishzadeh,Fereshteh Hamyar,Yousef Ahmadi</p> <p>Amirali Rahimi,Hannaneh Ja’afari,Hadi Hashemi,Armin Karbalaei,Sadra Khoramabadi</p> <p>Abbas Darvishzadeh</p> <p>80 min, 2022,Drama, Family. Traveling..</p> <p>

SYNOPSIS

</p> <p>The teacher of a remote village, goes after three of her students who were absent from online classes. She starts a journey with her 4-year-old daughter. On the way, she tells the story of her father to the child<span dir="RTL" lang="FA">، </span>who has never seen him.</p> <p>*</p> <p>A teacher (<b>Hoda MOGHADAM MANESH)</b>from a distant village has been communicating with her students online for some time due to Coronavirus. However, three of the students are not present in the online lesson. The teacher decides to leave the city for the village on a day off and find out about their condition. On this trip, she also takes her daughter (Hana,&nbsp;4-year-old)&nbsp;with her. Along the way, Hana asks about her father, who&nbsp;has never seen him,&nbsp;and also the reason for the separation of her parents. While searching for the fate of the absent students, the teacher now has to answer Hana’s serious questions as well.<span dir="RTL" lang="FA"></span></p> <p>

DIRECTOR

</p> <p><img src="https://7thartfilms.ir/images/Ali_Ghavitan.jpg" alt="Ali Ghavitan" /></p> <p><strong>Bio/Filmography:</strong></p> <p>Among his films are:</p> <p>- My Love, My City 1991</p> <p>- Storm Bump 1993</p> <p>- Conspiracy 1995</p> <p>- Lonely 1997</p> <p>- Effigies 2001</p> <p>- Birthday Song 2004</p> <p>- Very Hot Nescafe 2005</p> <p>- Spring Winds 2010</p> <p>- Dragonflies of the Green Pond 2011</p> <p>- Flight of the Kites 2012</p> <p>- Sunlight, Moonlight, Earth 2013</p> <p>- The Return 2014</p> <p>- My Mother’s Blue Sky 2015</p> <p>- White Bridge 2017</p> <p>-Dream About Sohrab 2020</p> <p>-Ziba's Wish 2021</p> <p>-Life &amp; Life 2022</p> <p>

DIALOGUE LIST

</p> <p>Your text...</p> <p>

Director's note

</p> <p>I have always asked myself which of these worlds can be called life?</p> <p>Somewhere that is too big or somewhere that is too small?</p> <p>The one that is full of noise or the one that is empty of all voices?</p> <p>Does the life have a centre? Where have been located the children, and also adults?</p> <p>And is there a place for a tree?</p> <p>

STILLS

</p> <p>&nbsp;</p> <p>&nbsp;

Tab Title 1

</p> <p>Your text...</p> <p>

Tab Title 2

</p> <p>&nbsp;</p> <p>Your text...</p> <p>
Festivals:</p> <p>-Busan Film , S. Korea, 2022</p> <p>-Dhaka International FF , Bangladesh, 2023</p> <p>-Seoul Green FF, S.Korea 2023</p> <p>-Independent Film Festival, Casablanca, Morocco 2023( Jury Special Mention for the Best Film &amp; the Best child actress)</p> <p>-Religion Today FF, Italy 2023&nbsp;</p> <p>&nbsp;</p> <p>LIFE &amp; LIFE</p> <p>(Zendegi va Zendegi)</p> <p><img src="https://7thartfilms.ir/images/PHOTO-2023-08-03-09-23-56.jpg" alt="PHOTO 2023 08 03 09 23 56" width="333" height="467" /></p> <p><b>Original title: Zendegi va Zendegi</b></p> <p>Director, Producer, Writer: Ali Ghavitan</p> <p>Photography: Hamed Ghavitan</p> <p>Sound: Behrouz Shahamat</p> <p>Edit: Mahdi Hosseinivand</p> <p>Make up: Neda Moghadammanesh</p> <p>Design: Ali Ghavitan</p> <p>Dress Designing: Jamileh Reyhani</p> <p>Casts:</p> <p>Hoda Moghadammanesh,Mehraban Darvishzadeh,Fereshteh Hamyar,Yousef Ahmadi</p> <p>Amirali Rahimi,Hannaneh Ja’afari,Hadi Hashemi,Armin Karbalaei,Sadra Khoramabadi</p> <p>Abbas Darvishzadeh</p> <p>80 min, 2022,Drama, Family. Traveling..</p> <p>

SYNOPSIS

</p> <p>The teacher of a remote village, goes after three of her students who were absent from online classes. She starts a journey with her 4-year-old daughter. On the way, she tells the story of her father to the child<span dir="RTL" lang="FA">، </span>who has never seen him.</p> <p>*</p> <p>A teacher (<b>Hoda MOGHADAM MANESH)</b>from a distant village has been communicating with her students online for some time due to Coronavirus. However, three of the students are not present in the online lesson. The teacher decides to leave the city for the village on a day off and find out about their condition. On this trip, she also takes her daughter (Hana,&nbsp;4-year-old)&nbsp;with her. Along the way, Hana asks about her father, who&nbsp;has never seen him,&nbsp;and also the reason for the separation of her parents. While searching for the fate of the absent students, the teacher now has to answer Hana’s serious questions as well.<span dir="RTL" lang="FA"></span></p> <p>

DIRECTOR

</p> <p><img src="https://7thartfilms.ir/images/Ali_Ghavitan.jpg" alt="Ali Ghavitan" /></p> <p><strong>Bio/Filmography:</strong></p> <p>Among his films are:</p> <p>- My Love, My City 1991</p> <p>- Storm Bump 1993</p> <p>- Conspiracy 1995</p> <p>- Lonely 1997</p> <p>- Effigies 2001</p> <p>- Birthday Song 2004</p> <p>- Very Hot Nescafe 2005</p> <p>- Spring Winds 2010</p> <p>- Dragonflies of the Green Pond 2011</p> <p>- Flight of the Kites 2012</p> <p>- Sunlight, Moonlight, Earth 2013</p> <p>- The Return 2014</p> <p>- My Mother’s Blue Sky 2015</p> <p>- White Bridge 2017</p> <p>-Dream About Sohrab 2020</p> <p>-Ziba's Wish 2021</p> <p>-Life &amp; Life 2022</p> <p>

DIALOGUE LIST

</p> <p>Your text...</p> <p>

Director's note

</p> <p>I have always asked myself which of these worlds can be called life?</p> <p>Somewhere that is too big or somewhere that is too small?</p> <p>The one that is full of noise or the one that is empty of all voices?</p> <p>Does the life have a centre? Where have been located the children, and also adults?</p> <p>And is there a place for a tree?</p> <p>

STILLS

</p> <p>&nbsp;</p> <p>&nbsp;

Tab Title 1

</p> <p>Your text...</p> <p>

Tab Title 2

</p> <p>&nbsp;</p> <p>Your text...</p> <p>
Festivals:</p> <p>-Busan Film , S. Korea, 2022</p> <p>-Dhaka International FF , Bangladesh, 2023</p> <p>-Seoul Green FF, S.Korea 2023</p> <p>-Independent Film Festival, Casablanca, Morocco 2023( Jury Special Mention for the Best Film &amp; the Best child actress)</p> <p>-Religion Today FF, Italy 2023&nbsp;</p>
Fathers 2021-10-13T18:22:31+03:30 2021-10-13T18:22:31+03:30 https://7thartfilms.ir/feature/96-fathers 7thartfilms Co. services_rk@yahoo.com <p>&nbsp;<img src="https://7thartfilms.ir/images/UP/2021/Fathers/poster-Fathers.jpg" alt="" width="638" height="896" /></p> <p>Director: Salem Salavati <br />Screenplay: Mohamad Reza Gohari<br />Director of Photography: Morteza Poursamadi<br /> Editor: Hasan HasanDoost<br /> Composer: Milad Movadedi<br /> Sound recorder: Hadi Manipour<br />Sound Mixer: Hossein Qourchian<br />Set and Costume: Mahtab Motaaseb<br />Makeup designer: Alireza Khorshid<br />Production Manager: Amir Eskandari<br />Producer: Shahram Maslakhi<br />Casts: Gelare Abbasi,Alireza Shanifar,Hedayat Hashemi,Hedayati<br />Shooting Format: 5k-(raw Red Camera)<br />Sound: 5.1 / Ratio: 1:1:2 / English Sub. <br /> – color – min 83 – 2021 - Iran<br /> <br />Log Lone: <br />In "Fathers", an incident puts two generations face to face.</p> <p>

SYNOPSIS

</p> <p>Mani and Sina 19-year-olds have been friends for a long time. Sina has low self-esteem and is mentally dependent on Mani. In a car accident, Mani is killed and Sina is severely injured. At first, everyone thinks that Mani was behind the wheel because Sina is not certified. This incident provides the ground for the fathers of these two young men to take a step towards proving their claim, knowing more about their children and realizing their own negligence.</p> <p>

DIRECTOR

</p> <p>Salem Salavati<br />Born: 1975 .. Kurdistan - Iran<br /> <br />Start career: 1989 from Iranian Youth Cinema Society.<br /> <br />direction of 4 feature film in 2011 (The Departure Time) &amp; 2013-14 (The Last Winter) &amp; 2019 (At Dawn) &amp; 2021 (The Fathers)<br /> <br /> 11 short films and 3 Documentary.<br /> <br />Director of photography 4 feature and so more than 30 short film.<br /> <br />Received more 82 awards from the Iranian &amp; international film festivals in different categories (best movie, direction, script and photography in feature and short films)</p> <p>&nbsp;

FESTIVALS

</p> <p>

Director's note

</p> <p>

STILLS

</p> <p>{gallery}/UP/2021/Fathers{/gallery}</p> <p>

TRAILER

</p> <p>
</p>
<p>&nbsp;<img src="https://7thartfilms.ir/images/UP/2021/Fathers/poster-Fathers.jpg" alt="" width="638" height="896" /></p> <p>Director: Salem Salavati <br />Screenplay: Mohamad Reza Gohari<br />Director of Photography: Morteza Poursamadi<br /> Editor: Hasan HasanDoost<br /> Composer: Milad Movadedi<br /> Sound recorder: Hadi Manipour<br />Sound Mixer: Hossein Qourchian<br />Set and Costume: Mahtab Motaaseb<br />Makeup designer: Alireza Khorshid<br />Production Manager: Amir Eskandari<br />Producer: Shahram Maslakhi<br />Casts: Gelare Abbasi,Alireza Shanifar,Hedayat Hashemi,Hedayati<br />Shooting Format: 5k-(raw Red Camera)<br />Sound: 5.1 / Ratio: 1:1:2 / English Sub. <br /> – color – min 83 – 2021 - Iran<br /> <br />Log Lone: <br />In "Fathers", an incident puts two generations face to face.</p> <p>

SYNOPSIS

</p> <p>Mani and Sina 19-year-olds have been friends for a long time. Sina has low self-esteem and is mentally dependent on Mani. In a car accident, Mani is killed and Sina is severely injured. At first, everyone thinks that Mani was behind the wheel because Sina is not certified. This incident provides the ground for the fathers of these two young men to take a step towards proving their claim, knowing more about their children and realizing their own negligence.</p> <p>

DIRECTOR

</p> <p>Salem Salavati<br />Born: 1975 .. Kurdistan - Iran<br /> <br />Start career: 1989 from Iranian Youth Cinema Society.<br /> <br />direction of 4 feature film in 2011 (The Departure Time) &amp; 2013-14 (The Last Winter) &amp; 2019 (At Dawn) &amp; 2021 (The Fathers)<br /> <br /> 11 short films and 3 Documentary.<br /> <br />Director of photography 4 feature and so more than 30 short film.<br /> <br />Received more 82 awards from the Iranian &amp; international film festivals in different categories (best movie, direction, script and photography in feature and short films)</p> <p>&nbsp;

FESTIVALS

</p> <p>

Director's note

</p> <p>

STILLS

</p> <p>{gallery}/UP/2021/Fathers{/gallery}</p> <p>

TRAILER

</p> <p>
</p>